Here’s a flashback pic post of Robert Pattinson in Cannes in 2012
Archive for the ‘Juliette Binoche’ Tag
Juliette Binoche, Tim Roth and Robert Pattinson are attached to “The Childhood of a Leader,” a new drama directed by Brady Corbet, Variety has learned.
The pic is Corbet’s feature directorial debut, after winning honorable mention at Sundance in 2009 for his short “Protect You + Me.”
The drama, which tells the childhood of a post-World War I leader, is tentatively scheduled to shoot in Europe starting in May. Corbet co-wrote the script with Mona Fastvold, the director of the upcoming Sundance drama “The Sleepwalker.” It will be produced by Antoine and Martine de Clermont-Tonnere, Chris Coen and Amour Fou.
Corbet, the star of this year’s Sundance indie “Simon Killer,” just wrapped roles in Noah Baumbach’s “While We’re Young,” Andrea Di Stefano’s “Paradise Lost” and Bertrand Bonello’s “Saint Laurent.”
From The Guardian:
You had a cameo in Cosmopolis, playing Robert Pattison’s art dealer and lover …
That was great. I was astonished to see how much of a cinephile Robert was, and how ambitious – he wants to produce and has strong views of what he wants to do in the movie world.
I’m 41 years and I understand what is the problem, says her/his character in the film. Life is too contemporary.
Don DeLillo’s writing – and the film is very faithful to the novel – it was for me the extraordinary discovery of a universe.
A cold world, without humanity. That forces us to face the nightmare of desire, anxiety to possess everything, the obsession to win, to climb higher up, looking for a “more” is not there.
Although his character is very contemporary, mixing sex and business, and perhaps no longer believe in anything, not even art. What effect did it?
Didi Fincher is a lost woman, just like Eric Packer is lost. It’s just one person, its apparent weight is actually a hiding place where reigns anxiety. Cosmopolis speaks of our need to procure money, sex, power and mix everything. A very dangerous game.
Io Donna: Robert Pattinson, who is the lead in Cosmopolis, is a global icon, a living image of beauty and youth. A perfect choice.
Juliette: I met Robert for the first time on set. I must admit I never saw any of his films. And I discovered in him a fierce passion for cinema, he knows the cinema much better than I do. It was lovely and fun to work with him, he’s a man who’s very ambitious, he will produce and direct his own films one day.
In French with English subtitles
In French without subtitles
COSMOPOLIS SUPPORTING CAST –
As everyone knows by now that Robert Pattinson plays Eric Packer in David Cronenberg‘s Cosmopolis. What they might not know is who is Rob’s supporting cast. From the masterful Paul Giamatti, and the fresh talents of Sarah Gadon and Jay Baruchel to French luminaries Juliette Binoche and Mathieu Amalric, Cronenberg has assembled an impressive cast. Pattinson sums up the ensemble cast:“All the actors come from different backgrounds, have different personalities and have all done completely different kinds of movies. They didn’t know a lot about the film, but everybody wants to work with David and that’s why they’re here.”
NEW Cosmopolis still featuring Robert Pattinson and Sarah Gadon. See the other stills after the jump!
Juliette Binoche spoke with Madame Figaro about Cosmopolis.
Translation: What do you do in Cosmopolis, the next David Cronenberg?
I make love in the limo! Belonging to Robert Pattinson, fabulously wealthy man who wants it all and loses it all! It sounds like Cronenberg, doesn’t it? Director of photography, Peter Suschitzky, lights up each shot like a painting. Robert and I were alone in the car with a camera and a microphone, and we could hear David’s voice coming from a distance: we would redo a take, then another one, etc. There was something clinical about it, which for me was a change from Amos Gitai or Abel Ferrara.
Que faites-vous dans Cosmopolis, le prochain David Cronenberg ?
L’amour dans une limousine ! Celle de Robert Pattinson, un richissime qui veut tout et perd tout ! C’est bien du Cronenberg ça, non ? Le chef opérateur, Peter Suschitzky, éclaire chaque plan comme une peinture. Nous étions seuls Robert et moi dans la voiture avec une caméra et un retour son. Et nous entendions la voix de David de loin : on refait une prise, encore une, etc. Il y avait là un côté clinique qui me changeait d’Amos Gitai ou d’Abel Ferrara.
For the new film by David Cronenberg?
JB: Yes, it is called “Cosmopolis.” I play an art dealer who has an “affair” (relationship) with Robert Pattinson. He is a millionaire who loses everything.
Robert Pattinson is moving in a sphere that seems far removed from yours …
JB: I had no idea who he was, I have never followed his career or seen Twilight. We had a chance to have a dinner together couple of times, that’s how we met. Turned out he’s a big fan of movies. All these years he watched 2-3 movies a day and one of his favourite movies is “The Lovers on the Bridge” with myself in it. He’s really funny, just like a kid. He charmed me.
Robert Pattinson is about to enter a new kind of Twilight Zone, courtesy of David Cronenberg. It was announced today that the Canadian filmmaker has cast the vampire heartthrob as a bloodsucker of a different colour—a multi-billionaire hedge fund manager in Manhattan who squanders his fortune betting against the survival of the world economy. The movie is Cosmopolis, a Canada-France coproduction based on the 2003 nouvella of the same name by award-winning American writer Don Delillo. Pattinson is set to co-star with Paul Giamatti (Barney’s Version), Juliette Binoche (The English Patient), and Matheu Amalric (The Diving Bell and the Butterfly).
Cronenberg appears to be on a roll. After the success of The History of Violence (2005) and Eastern Promises (2007), two Oscar-nominated hits, he has been creeping ever closer to mainstream acceptance, without compromising his singular vision. He recently completed A Dangerous Method, a German co-production about Freud and Jung, starring (in his third role with director) Viggo Mortensen—it will likely open next fall after a festival premiere in Cannes, Venice or TIFF. It’s always a good sign when a filmmaker has another movie on the go before his last one has hit the screen.
Landing a Cronenberg role is a savvy move for Pattinson, who needs to make the leap from the matinee idol ghetto of Twilight to more mature roles. His is not unlike the dilemma faced by an aging child star. In his previous non-vampire outing, the romance Remember Me, Pattinson showed the promise of a serious actor, but the film was a dud. Cronenberg is always a class act, and (despite his image as a horrormeister) he’s very much an actor’s director. Colin Farrell had originally been tapped for the Pattinson role, until he opted to star in a remake of Total Recall. And earlier candidates attached to the role of the female lead included Marion Cotillard and Keira Knightley, who stars in A Dangerous Method.
Cronenberg wrote the script for Cosmopolis, which is described as a “thriller.” In the director’s previous adaptations of fiction—notably Naked Lunch, Dead Ringers and Crash—he has played fast and loose with the source material, bending it to his own vision, so don’t expect Delillo’s work to be transposed too literally. I haven’t read the book. But it appears to have some classic Cronenberg elements, including some glimmers of Crash. Here’s how Wikipedia summarizes the plot:
“Cosmopolis is the story of Eric Packer, a 28 year old multi-billionaire asset manager who makes anodyssey across midtown Manhattan in order to get a haircut. The stretch limo which adorns the cover of the book is richly described as highly technical and very luxurious, filled with television screens and computer monitors, bulletproofed and floored with Carrara marble. It is also cork lined to eliminate (though unsuccessfully, as Packer notes) the intrusion of street noise.
“Like James Joyce‘s Ulysses, Cosmopolis covers roughly one day of time and includes highly sexed women and the theme of father-son separation. Packer’s voyage is obstructed by various traffic jams caused by a presidential visit to the city, a funeral procession for a Sufi rap star and a full-fledged riot. Along the way, the hero has several chance meetings with his wife, seeing her in a taxi, a bookstore, and lying naked in the street, taking part in a movie as an extra. Meanwhile, Packer is stalked by two men, a comical “pastry assassin” and an unstable “credible threat“. Through the course of the day, the protagonist loses incredible amounts of money for his clients by betting against the rise of the yen, a loss that parallels his own fall. Packer seems to relish being unburdened by the loss of so much money, even stopping to make sure he loses his wife’s fortune as well, to ensure his ruin is inevitable.”