Eric Michael Packer
Smell Me
Denise Cronenberg talks about Robert Pattinson’s style in Cosmopolis and Off-Camera with Gilt.com
Was the suit Robert Pattinson wore in the film custom designed or can mere civilians get their hands on it, too?
The suit Eric wears in the film is by Gucci: the Signoria, two-button notch lapel, in black. It is definitely available to mere civilians.It’s a great suit. When you picked it, how did you know this was the suit?
Clothes make the man. The suit, the white shirt and slim black tie, the shoes and belt (all by Gucci) helped Rob become Eric. Once Rob put the clothes on, I could feel the character, and looking at him completely dressed in the fitting, I knew I had made the right choice. And it doesn’t hurt that he wears suits beautifully.Twenty-five years of dressing actors also helped in the decision. I actually knew it was the right suit just looking at it even before the fitting with Rob. The cut and fabric were beautiful, which is why I chose it.
Men’s style editors love to talk about wearing a suit three or four different ways; Rob’s teaching a master class on that in the film. How does each evolution (fully suited, sans tie, just the trousers and shirt) relate to Eric’s progression over the day?
After reading the script and talking to the director, it was clear that Eric wore the suit well pressed and impeccably styled in the beginning. But as his life started to unravel, his clothes would too.I always leave room for the actor to decide just how far his shirt should be unbuttoned, or how he feels about a tie or no tie, a jacket or no jacket—whatever would help him play the scene. We (David, Rob, and I) decided Eric should never be too much of a mess.
We would have tried to take the wardrobe home after shooting wrapped. Does that ever happen?
Yes, people do take, or try to take, clothing home during and after a film. Rob did take one of his suits home (we had seven of them), but I asked him if he would like one. He has so many suits personally that he really doesn’t need any more.You did one hell of a job dressing Rob for the film. What advice would you give him, if any, for dressing for the red carpet?
It’s not difficult to dress Rob and make him look terrific. He wears suits so well, and Gucci fits him so well. My advice to him is to keep doing exactly what he has been doing—wearing Gucci. You can’t go wrong.And how about for daily life?
Rob’s off-camera look is very relaxed, and it’s his personal taste. There’s also an element of trying to hide, with something like a baseball cap, but really, it’s comfortable. That’s who he is.
Read the full interview at Gilt.com | Robert Pattinson’s Style, on sale now on Gilt MAN. | via
From The Playlist:
To say that Robert Pattinson has been filling his post-“Twilight” calendar with ambitious films would be an understatement. This weekend brings his trippy David Cronenberg odyssey “Cosmopolis,” and over the past few weeks and months, the actor has signed on to a handful of interesting films, including “Mission: Blacklist” about the hunt for Saddam Hussein, Werner Herzog’s historical tale “Queen of the Desert” and “Animal Kingdom” director David Michôd’s “The Rover.” And it’s the latter about which the actor has shared some tantalizing details.
Catching up with Pattinson as he did press rounds for “Cosmopolis,” he filled us in on what we might expect from Michôd’s follow-up to his crime drama “Animal Kingdom.” Set to shoot next year, “The Rover” boasts some pretty big ideas behind its deceptively simple set up. “It’s a kind of a western,” Pattinson explained. “It’s very existential. It’s really interesting. I couldn’t really explain to you what it’s about but it’s sort of about how much pain can the world take and how much disgust and cruelty before love dies. I think that’s kind of what it’s about.” (Cronenberg, who was in the room, chimed in with: ” That sounds pretty heavy!”)
NEW YORK
“Media culture is a monstrous thing,” Pattinson lamented Wednesday afternoon, jamming fries into his mouth between puffs on his electronic cigarette. “You can’t win. The annoying thing is that you can’t attack them, but you can’t defend yourself. The best thing you could possibly do is punch a paparazzi and give them their big payday.”
The 26-year-old actor has run a gantlet of publicity this week that was nominally about promoting his new film, “Cosmopolis,” which opens Friday.
Sitting alongside Pattinson for moral support at the Mandarin Oriental hotel on Columbus Circle was “Cosmopolis” director David Cronenberg. The Canadian filmmaker, whose challenging art house films almost never garner such wide attention, was there as a sort of buffer but also appeared to be quietly amused by the media circus. The actor’s manager would not allow Pattinson to sit alone for an interview with The Times, and even suggested that reporters not ask him about his personal life, or “Twilight.”
From Rolling Stone
If you can get past the psychological density of the source material (Don DeLillo’s 2003 novel) and the tabloid noise around the star, this mesmerizing mind-bender ought to prove two things: (1) Robert Pattinson really can act; (2) Director David Cronenberg never runs from a challenge. Pattinson stars as Eric Packer, a master of the universe at 28 but still helpless to stop his financial world from collapsing as he rides around Manhattan in a white stretch limo. Destination: haircut. That’s it: one day, one limo. But DeLillo crowded that day with incident. And Cronenberg, a master recalling his surreal work on eXistenZ and Naked Lunch, adapts the novel with a poet’s eye and a keen ear for language. Eric has hermetically sealed himself inside a limo designed to block out every trace of the outside world. Inside, Eric can ignore the Occupy Wall Street-like protests from the 99 percent, consult with his geek chief (Jay Baruchel) and his money guru (Emily Hampshire), submit to a prostate exam, have sex with his mistress (Juliette Binoche), and get out for disturbing meetings with his wife (Sarah Gadon) and a disgruntled former employee (Paul Giamatti). Working with gifted cinematographer Peter Suschitzky, Cronenberg creates a crumbling world in microcosm. In this fever dream of a movie, Pattinson is incendiary, notably in a climactic gun scene with the great Giamatti. Cosmopolis, demanding as it is daring, is no easy ride. I mean that as high praise.