Olivier Assayas: My next film, I will shoot it in the fall, in Chicago, it’s a genre film, this is a story of Mafia and burglars, it takes place in the late 70s and there is an internationnal casting.
Allociné: And there’s Robert Pattinson, it’s sure?
Olivier Assayas: Yes yes yes
Allociné: And it has to do with Kristen Stewart or is it coincidence?
Olivier Assayas: Oh no it is blind chance, it is blind chance.
Hollywood superstar Robert Pattinson has donated his road bike to the Royal Flying Doctor Service (RFDS).
Robert became aware of the vital emergency medical and essential primary healthcare services the RFDS provides to people living in the outback during his time filming the “The Rover” in Marree, on South Australia’s Birdsville Track.
In addition to its 21 bases across Australia, the RFDS operates the Marree Health Service, which provides an outpatient nursing service, home visiting service and 24-hour medical consultations to pastoralists and tourists to the region.
The TREK Madone 3.1 WSD bicycle, valued at $2,000 RRP, will be auctioned at the ‘Wings for Life’ Gala Ball, The Bazaar Ball, at the Adelaide Entertainment Centre on Saturday 31 May.
While the popular ‘Wings for Life’ Gala Ball is already sold out, the RFDS is able to take pre-bids to purchase the bicycle at the live auction on behalf of any interested parties not attending the event itself. All expressions of interest to do so will need to be received by the RFDS and secured with a deposit by COB Thursday 29 May, 2014.
Interested parties must contact the RFDS on 08 8238 3333 during office or if you are dialling internationally 011 61 8 8238 3333. Enquiries can be emailed to social@flyingdoctor.org.au.
UPDATE: Robert Pattinson bike has been sold for $7600
The Royal Flying Doctor Service of Australia (RFDS) is one of the largest and most comprehensive aeromedical organisations in the world. Using the latest in aviation, medical and communications technology, it delivers extensive primary health care and 24-hour emergency service to those who live, work and travel throughout Australia.
The RFDS is a not-for-profit organisation. While supported by the Commonwealth, State and Territory Governments, the RFDS relies heavily on fundraising and donations from the community to purchase and medically-equip its aircraft, and to finance other major capital initiative
The 41-year-old filmmaker had worked with Pearce in “Animal Kingdom” and both he and Joel Edgerton, who received a shared story-by credit, created Eric with him in mind. Pattinson, on the other hand, was a different story. Michôd had a general meeting with the actor before he “The Rover” became his follow-up and says he just immediately liked him.
“I found him really beguiling and I loved his physical energy, and he was smart and had a wonderfully open face,” Michôd recalls. “When it came time to start testing for the character, I knew I wanted to see him, but yeah, I didn’t know what he was capable of. I think he knew that people didn’t know what he was capable of as well and so he was very willing to work and work hard. But very quickly when he came in to test for me I could just see this skill set that he just hasn’t been able to showcase.”
Those instincts paid off. Pattinson’s work is clearly the best of his career as he makes sure the slightly “off” Rey isn’t just Pattinson playing the big screen “Robert Pattinson.” Many audiences, however, will be surprised to find the Brit is playing an American in this setting. Obvious box office benefits to having American characters aside, Michôd says it was more important that “The Rover” felt vaguely international.
“I felt like [a few Americans] would assist in creating this world that suggested a kind of global economic meltdown, if suddenly people were just moving everywhere or doing what people had done for centuries,” Michôd says. “If you think about the Australian gold and American gold rushes of the 19th Century, there were people from all over the world, people from China and Europe, every corner coming to strange corners of the planet to try and eke out a living pretty desperately.”
The LA Times talked to the ‘Maps To The Stars’ cast & crew about Hollywood’s reaction to the movie. Rob was surprised at some reactions.
In the end of the article, the LA Times mentions that ‘Maps To The Stars’ will screen at another festival, likely TIFF. Here are Rob’s comments:
The Los Angeles-based trades Variety and the Hollywood Reporter, meanwhile, have given it tepid reviews, in part citing it as being “severely negative,” while the foreign press has been more kind. The film’s producer, Bruce Katz, says this is not a coincidence, wondering if it hit a little too close to home for Hollywood-oriented publications.
Pattinson, who after the “Twilight” series has been on his share of big Hollywood sets, said he was surprised at some of the naysayers.
“Are people saying it’s mean?” he asked when told of some early reactions, adding, “The child actor part felt very real. Almost every set I’ve been on has had someone like that.”
Asked about his experiences with some of the more narcissistic portrayals, he said, “Well, Hollywood attracts crazy people, and then you add a lot of money, so…” his voice trailing off.
(…)
“Maps” will screen again at a festival, likely in Toronto, before opening in the U.S. in the fall via the Canadian-based independent distributor eOne.
David Michod talks about meeting & casting Rob, Cannes and Reynolds
Having Robert Pattinson by your side no doubt increased the amount of flashes going off on the red carpet the other night.
Yeah, there were moments where I realized that none of them were actually pointing at me [laughs].
(…)
It does boast the lightest scene of Cannes, where Pattinson’s character sings along to a Keri Hilson jam alone in a car.
You’re the first person to bring that up! I kind of half expected it would be a thing. When I was doing press for “Animal Kingdom” every press person would ask me about “All Out of Love.”
What went into selecting that song?
One of the things that was challenging for this movie was it was set in a period of the future, so it makes musical choices really kind of difficult. I’d imagine that maybe there’s a sense that pop is still some kind of functioning genre, like the equivalent to classic rock. I wanted at that point in the movie to remind people that Rob’s character is a lost kid, one who in different circumstances would have favored pop songs. I just wanted that moment in the film to be a strong reminder of the fact that he just wants to be a kid.
About his performance, he’s a true revelation in “The Rover.” What led you to cast him?
It was a meeting. I still haven’t seen the “Twilight” films. I don’t feel I need to. I had a meeting with him before I knew I was going to make “The Rover,” and found him instantly beguiling.
Why did you meet with him if you weren’t familiar with his work?
I’d seen nothing. It’s that weird thing that happens after a movie you’ve made has gotten some attention — you go on a billion blind dates. And this was one of them. I didn’t really know anything about him, but I really liked him. He was really smart, funny and open. He seemingly had great taste. He had a really interesting and eclectic knowledge of cinema. When it came time to cast for “The Rover,” I just had this weird feeling that he was the one I wanted to see the most. Fortunately he really wanted to do the movie.
I mean I put him through the wringer. We worked for three of four hours during our camera test, but I felt I knew within the first few minutes that I found the guy for the character. The next few hours were just us exploring. He helped me find the character.
Robert Pattinson knows a thing or two about the price of fame, so it’s worth listening when he says he worries about the child stars he meets in Hollywood. “When you see these kids, there is only one way: you either get in therapy now or become a serial killer, or kill yourself. I mean, you can see it really early on—it’s terrifying.”
VF Hollywood: David Michôd has talked a lot about the back story for The Rover, which is set “10 years after the collapse.” How much did he tell you about your character?
Robert Pattinson: Well, not a lot. I kept questioning that aspect of it. “What is this economic collapse? I want to know the details about it.” Then I realized it didn’t really make any difference to my character.
Guy Pearce’s character refers to your character as a “half-wit.” Were you playing him as someone with a real disability, or just someone who hasn’t been that well educated?
I was thinking he’s almost like someone who’s been told there is something wrong with him and there actually isn’t—but he has been told there is so many times that he has just sort of accepted it.
He plays in two movies at Cannes, The Rover by the Australian David Michôd. In a post catastrophy world, he plays a mugger sort of naive and a little banged up. Rob: I think it’s kind of funny, I do weird movies and I like weird movies, and those little girls screaming when they’re going to see The Rover. It’s kind of hilarious.
The other movie in which plays Robert Pattinson is in competition for the Palme at Cannes, Maps to the Stars by David Cronenberg.
Yes, in Maps to the Stars he plays a limo driver who dreams of becoming an actor. A secondary part but no worries, it’s Cronenberg who two years ago, decided to give him the main role in Cosmopolis, presented at Cannes too, and let him practise his growth as an actor. Cronenberg: I like to take credit for that. He was a very, very underrated actor but I knew he was talented. My instinct told me he was a star before he had the chance to prove he was a real actor. I mean it’s like when he gave the Palme to Rosetta, everyone told us, it was terrible and now the Dardens keep coming back here and their actors have a great career. That’s when you know your instinct is right and that of course makes you feel really good.
Robert Pattinson expresses then all his gratitude to Cronenberg. Rob: It’s just someone believing in you. Someone who you really respect and who makes you think about yourself differently afterwards. I was always quite ambious when I was younger but after Cosmopolis you kind of feel like you fufilled those ambitions afterwards and you believe in yourself a little bit more.
Robert Pattinson
c/o Curtis Brown Group Ltd.
Haymarket House
5th Floor, 28-29
Haymarket
London, SW1Y 4SP
England
or
Robert Pattinson
c/o Endeavor Agency
Stephanie Ritz
9601 Wilshire Blvd. Floor 3
Beverly Hills, CA 90210
USA
Calendar
April 2026
M
T
W
T
F
S
S
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
Partners
DISCLAIMER
Thinking of Rob is not affiliated with Robert Pattinson or his management in any way.
There is no copyright infringement intended on this blog. If you are the original owner of any media used and would like it removed, we will be happy to do so, please contact us.
Copyright and Trademark Notice
All original content on this site, including any manipulations or enhancements, is the sole copyright of ThinkingofRob™ and ToR™.