Director Olivier Assayas mentions working with Robert Pattinson on his next movie in an interview with ‘Les InRock’
The directeur Olivier Assayas was interviewed by the famous French newspaper ‘The Inrocks’ and he mentioned Rob, who apparently should star in his next movie.
Translation: “I see that in the United States, especially since the success of ‘l’Heure d’été’ and ‘Carlos’, I gained a relative notoriety, which sharpens the curiosity of some actors. In my next film, for example, will included Robert Pattinson.”
David Cronenberg and Julianne Moore were on ‘Rencontre de Cinéma’ and talked about the movie. Click HERE or on the picture to hear David talk about ‘Maps to the Stars’ and Robert Pattinson (Rob mention starts at 15:52)
Quotes from the interview
David says it’s magical and exciting to go back to present a film at Cannes. He is proud to be a Canadian selected for Cannes Film Festival.
David loves the crazyness in the actors. That they are like children playing at being someone else
David says he makes his films very simply. Two days after the shooting, editing was finished!
David recites the poem by Paul Eluard ‘Liberty’ in French and without mistakes 🙂 The poem has some significance and special meaning in the film.
David said that the film gives a very dark interpretation of what is freedom in Hollywood but he says that we must go see the movie to find out more lol
About Rob and Mia, David says they are fantastic actors, they bring a freshness and a different way of seeing the world. Because they are Internet generation, they have very sharp mind and great wisdom for their age. He says he feels like a father or maybe a grandfather for them
David doesn’t have movie project for now, he has written a book and 5 producers have already called him to make a film of it.
Australian director David Michôd’s (“Animal Kingdom”) much-anticipated crime drama “The Rover” will premiere out of competition at the 2014 Cannes Film Festival, but before then, here’s an exclusive clip featuring Guy Pearce and Robert Pattinson.
In the scene we see an intimate and angry conversation between the Pearce character, who seeks revenge from a group of dangerous criminals after they steal his last possession, and Pattinson, one of the criminals left behind after being shot.
In addition to the clip, Michôd also gave an exclusive statement to Indiewire. Check them both out below. A24 opens “The Rover” June 13.
“The Australian Outback of The Rover is a world ten years after a great Western economic collapse. It’s a near future of social and economic decay. Services, utilities, law and order have fallen into dangerous disrepair. And yet people from all corners of the world have come to this place to work the mines that feed the new world alignment, that feed the great powerhouses of this, the Asian century.
The world of the movie, as such, mirrors the American and Australian gold rushes of the 19th century. People are drawn to the land’s mines and with them come the leeches, the refuse, the hustlers and criminals who hope to exploit the mines’ margins.
This isn’t a complete collapse of society – it’s an inversion of present-day global power dynamics. This is Australia as resource-rich Third World country. This is the violence and unrest of contemporary Sierra Leone or the Democratic Republic of the Congo.
And at the centre of this world are two men – one, a murderously embittered Australian man, a former soldier who has lost his farm and his family; the other, a simple and naive American boy, too young to remember a time when things were anything other than what they are.”
‘Maps to the Stars’ and ‘The Rover’ in Cinemateaser Magazine
Maps to the Stars
Excerpts: Actress Sarah Gadon raved about the curious experience that this film was, still a mystery for her. “(…) The script is incredibly bright. It’s mostly a very violent satir of Hollywood. It’s very strange for me to find myself in the heart of the system after filming something so dark and so nasty.”
(…) Between genre film and lampoon, film noir and soap opera, we hope Maps to the Stars is going to shake up festivalgoers. We would especially love to have there, with this tortuous tale about Hollywood, a kind of Mulholland Drive 2.0. All the ingredients seem brought together, to recreate the confused experienced felt during the presentation of the feature film by Lynch in 2001 on the Croisette. Cannes loves nothing more than films that escape us. If Cosmopolis was probably too theoretical and verbose, Maps to the Stars seems rather full of excesses and flesh, a film whose apparent madness probably hides unexpected nooks and shadows so dear to the director. We hope the famous Cronenberg’s maps to the stars doesn’t take us where we would want to go.
“The Rover has its world premiere at the Cannes Film Festival on May 18, where it has been given a prestigious midnight slot. (Other Australian films to land a coveted midnight screening include The Sapphires, The Adventures of Priscilla: Queen of the Desert and Strictly Ballroom.)”
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