Author Archive
*SCAN* ‘Breaking Dawn: Part II’ in Junior Screen Magazine – Japan 3 comments
New Fan Picture of Robert Pattinson, Kristen Stewart and Taylor Lautner from inside the theater – Berlin Premiere 1 comment
3 New Breaking Dawn: Part II Japanese TV Spots 1 comment
Tracey Heggins talks about working with Robert Pattinson 1 comment
Did the entire cast, including the newcomers ever get together to hang out?
TH: Oh yeah. Angela (Sarafyan) and Rami Malek, who are part of the Egyptian coven, hosted dinners at night because we were all together on set. We had everyone from Rob and Kristen to come all the way to me and Judi. We just talked and had a good time. We were laughing and joking and got to know each other. No one is estranged as people think they are and everyone is a kind hearted person. Kristen Stewart is a very sweet girl and she treated with nothing but respect. I remember when I was doing the 50 Cent, ‘All Things Fall Apart,’ and I had to fly out to the Miami Film Festival, and flew back, Kristen said, “You’re doing the film with Mario Van Peebles.” I said, “Yeah, he’s the director.” That just shows human interest and that’s important.
Cosmopolis on various ‘Best of 2012’ lists 4 comments
Cosmopolis is featured on various ‘Best of 2012’ lists
Cinemart – Top Ten Films of 2012
1. Cosmopolis is as talky as a screwball comedy and as visually wild as only cinema can be. David Cronenberg’s timely dissection of the haves and pseudo masters of the universe features an assured performance from Robert Pattinson as a man who just wants to get a haircut and ends up on an increasingly distracted quest that takes in existential angst, free market economics, a spot of casual murder, romance, sex, a prostate examination and anti-capitalism protests. A truly special work that demands you pay attention all the way, this one will stick in your head for weeks.
Slant magazine: The best films of 2012
13. Cosmopolis. In the end, it’s mere gravy that David Cronenberg’s Cosmopolis unfolds in a world that eerily, and almost blatantly, reflects our modern headlines, its Occupy themes and global-capital woes perpetually looming. What’s truly depicted in this gorgeous adaptation of Don DeLillo’s prescient 2003 novel is the whittling down of the poster boy of individual, millennial anxieties, sparked by the deadly, rampant elixir of privilege, apathy, and telecommuting. From his rolling command center of a white limousine, the WiFi hot spot of the obscenely rich, billionaire Eric Packer (a revelatory Robert Pattinson) is at once linked up to the world and maddeningly removed from it, his personal, untried revolving door granting equal access to wisdom and delusion, personified by the limo’s parade of guests. Evoking its director’s past aesthetics and bodily interests with cool restraint, Cosmopolis is a wry, stylish nightmare of contemporary disconnect, and an audacious charting of all that crumbles when reality seeps in. With much dialogue lifted verbatim from DeLillo’s text, the film’s dizzying verbosity may be challenging to swallow, but in a cinematic year teeming with lone protagonists clawing for ways to survive, it has more to say—and to mull over—than maybe 100 movies.
The Film Stage: The most overlooked Films of 2012
This one’s been stewing in my brain for months, and none of the reflection has tainted this film one bit; if anything, it’s only grown more valuable over time. David Cronenberg’s limousine trip into the damaged perspective of a young, emotionally hollow fat cat — played to perfection by a not-as-advertised Robert Pattinson — can’t really be considered the most accessible work of 2012, but those willing to go with its strange rhythms and mysterious internal logic are bound to get… something. While I think it’s best people make the thing out for themselves by just letting it all sit, those simply hoping for a left-of-center cinematic experience ought to find themselves more than pleased. And that’s without even considering the incredible music of Howard Shore & Metric. –Nick N.
More after the jump
James Marsh, ‘Hold on to Me’ director, talks about Robert Pattinson and the movie 1 comment
[…] So if Marsh plans on filming this mini series, with no official title yet, next summer, where does this leave Hold on to Me, his project with Rob Pattinson and Carey Mulligan?
“It’s going well.” Marsh reassure us. “I think about starting the shoot at the beginning of 2013 if our funds are secure.”Often compared to ‘To Die For’ by Gus Van Sant because of its pitch (a beauty queen kidnaps and buries alive a man formoney), Marsh points out that he finds the comparison appropriate even though “Boogie Nights will also be a model to Hold on to Me, ton wise. It’s one of my favorite movies cause it goes from dark to humorous in a second. Hold on to Me will be a dark comedy. My documentaries had humour – at least i hope – whereas my fictional works were heavier. This one will be more high-spirited.” An opus that might change Marsh’s carreer since it stars Robert Pattinson. “Robert is interesting. He knows where he wants to go and he wants to work on projects that might help him shape himself, like Cosmopolis. He uses his fame and his energy to help people, like me, make interesting movies. He has a lot of potential. When we met I loved his attitude towards the cinema genre. He liked the script and talked to me about it in an intelligent way. He’s going to be a great asset for Hold on to Me and I hope that with him on board, it’ll round up tons of teenage girls in the movies theaters to corrupt them. *laughs*”
Finally, Marsh revealed to us the name of the actor he covets to complete the casting: “I would like to hire an actor from the show Girls, Adam Driver. He’s an amazing actor, not very well-known. It would end up forming such a great triangle with Robert and Carey.”
Full interview at Cinema Teaser (in French) | Via
Emily Hampshire talks about Robert Pattinson 2 comments
From the Italian Blu-Ray Cosmopolis (translation by RobertPattinsonMoms)
What he brings to it ? I think that to me is quite genious is this teenage aspect of Eric, not in the sense that he is a teenager, he is not a teenager, but he has that kind of ”adolescence” about him. When Robert says the words I think that sense of he can say it anyway and comes out kind of spectacular, is because of this youthful tearing in him.
Music video: POP ETC – ‘Speak Up’ with Breaking Dawn: Part II footage 2 comments
The official music video for POP ETC’s “Speak Up” from The Twilight Saga: Breaking Dawn – Part 2’s original motion picture soundtrack
New Fanvideo from the Breaking Dawn: Part II Premiere in London 1 comment
Cosmopolis included in Criterion’s Corner ‘The Best Films of 2012: A Video Countdown’ 1 comment
Cosmopolis is one of ‘Criterion’s Corner’ best movies of 2012
[vimeo 55071466]
From Movies.com
It was an amazing year at the movies. This video countdown represents my favorite 25 films of 2012 (including big-budget, non-Criterion releases and a few red herrings thrown into the intro sequence just to mess with you — come back soon for my list of the year’s best Criterion Collection releases). I was super-aggressive this year about seeing everything that I possibly could, so admittedly this list is all over the place, ranging from massive blockbusters to festival favorites and a tiny no-budget masterpiece that you can stream for free on Vimeo (link below). I tried my best to play fair and really stick to movies that played/are playing/will play in American movie theaters at some point during this calendar year, but at the end of the day I can’t resist taking a Walter White approach to these things: “I’m the one who lists.” I get to bend the rules a little bit if and when I feel like it. Two films in my top 10, for example, won’t be hitting theaters until the spring, but I just couldn’t wait, and I’m eager to help get people excited for them while I can. Likewise, stick around for the title card at the end, which mentions a bunch of incredible “2012” films that I over-excitedly included on last year’s countdown.
More info about The Criterion Collection here




















