David says it’s magical and exciting to go back to present a film at Cannes. He is proud to be a Canadian selected for Cannes Film Festival.
David loves the crazyness in the actors. That they are like children playing at being someone else
David says he makes his films very simply. Two days after the shooting, editing was finished!
David recites the poem by Paul Eluard ‘Liberty’ in French and without mistakes 🙂 The poem has some significance and special meaning in the film.
David said that the film gives a very dark interpretation of what is freedom in Hollywood but he says that we must go see the movie to find out more lol
About Rob and Mia, David says they are fantastic actors, they bring a freshness and a different way of seeing the world. Because they are Internet generation, they have very sharp mind and great wisdom for their age. He says he feels like a father or maybe a grandfather for themÂ
David doesn’t have movie project for now, he has written a book and 5 producers have already called him to make a film of it.
“Maps to the Stars” takes aim at Hollywood excess, with an ensemble cast including a bleach-blond Julianne Moore playing a hysterical actress and Mia Wasikowska playing the mysterious, scarred young woman who suddenly appears in her life.
Although it marks the first time Cronenberg, known for “A History of Violence” and “Eastern Promises,” has made a film about Hollywood, he said he has been trying to make the movie — based on a script by novelist Bruce Wagner — for a decade.
“I’ve never really been obsessed with doing a movie about movie-making or anything like that, but in a way his script was not that. It’s about ambition and fear and desperation and a whole bunch of other things within the context of movie-making,” he said.
The film reunites Cronenberg with “Cosmopolis” star Robert Pattinson, who the director called “a terrific actor.”
“When we did ‘Cosmopolis,’ he didn’t really want to do it because his character was in every scene. He really wanted to be in an ensemble piece, where he was one of a great cast of actors,” said Cronenberg. “I said, ‘We talked about that and here it is. Here’s a perfect role for you.'”
Read the full article about Canadians at Cannes at the source.
Australian director David MichĂ´d’s (“Animal Kingdom”) much-anticipated crime drama “The Rover” will premiere out of competition at the 2014 Cannes Film Festival, but before then, here’s an exclusive clip featuring Guy Pearce and Robert Pattinson.
In the scene we see an intimate and angry conversation between the Pearce character, who seeks revenge from a group of dangerous criminals after they steal his last possession, and Pattinson, one of the criminals left behind after being shot.
In addition to the clip, MichĂ´d also gave an exclusive statement to Indiewire. Check them both out below. A24 opens “The Rover” June 13.
“The Australian Outback of The Rover is a world ten years after a great Western economic collapse. It’s a near future of social and economic decay. Services, utilities, law and order have fallen into dangerous disrepair. And yet people from all corners of the world have come to this place to work the mines that feed the new world alignment, that feed the great powerhouses of this, the Asian century.
The world of the movie, as such, mirrors the American and Australian gold rushes of the 19th century. People are drawn to the land’s mines and with them come the leeches, the refuse, the hustlers and criminals who hope to exploit the mines’ margins.
This isn’t a complete collapse of society – it’s an inversion of present-day global power dynamics. This is Australia as resource-rich Third World country. This is the violence and unrest of contemporary Sierra Leone or the Democratic Republic of the Congo.
And at the centre of this world are two men – one, a murderously embittered Australian man, a former soldier who has lost his farm and his family; the other, a simple and naive American boy, too young to remember a time when things were anything other than what they are.”
‘Maps to the Stars’ and ‘The Rover’ in Cinemateaser Magazine
Maps to the Stars
Excerpts: Actress Sarah Gadon raved about the curious experience that this film was, still a mystery for her. “(…) The script is incredibly bright. It’s mostly a very violent satir of Hollywood. It’s very strange for me to find myself in the heart of the system after filming something so dark and so nasty.”
(…) Between genre film and lampoon, film noir and soap opera, we hope Maps to the Stars is going to shake up festivalgoers. We would especially love to have there, with this tortuous tale about Hollywood, a kind of Mulholland Drive 2.0. All the ingredients seem brought together, to recreate the confused experienced felt during the presentation of the feature film by Lynch in 2001 on the Croisette. Cannes loves nothing more than films that escape us. If Cosmopolis was probably too theoretical and verbose, Maps to the Stars seems rather full of excesses and flesh, a film whose apparent madness probably hides unexpected nooks and shadows so dear to the director. We hope the famous Cronenberg’s maps to the stars doesn’t take us where we would want to go.
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