Is the 26-year-old actor tired of getting media food bribes? “Food bribes,” he repeats rather quizzically. “Oh yeah, I got offered some Cinnamon Toast Crunch cereal this morning. I don’t even know (why). I haven’t had Cinnamon Toast Crunch for about six years. I actually ate some french fries just before these interviews. I had a carbohydrate O.D.”
The pleasant British chap talking on the phone could be any hot young star promoting a movie. Except that he’s not just anyone. He’s RPattz, the hunk from the phenomenally successful “Twilight” films.During this interview, he politely deflects a question about the comparisons between the movie’s strange world and the weird celebrity-driven culture that surrounds him. “I don’t know if our culture is celebrity-driven at all,” he says. “I think it just drives itself.”
The vampire star doesn’t hold back when it comes to his image. His latest movie, “Cosmopolis” is set in a limo, where he lives with daily prostate examinations and customer visits.
Robert Pattinson is walking with a cup of coffee in one hand a red lollipop in the other hand at the hotel’s restaurant, at the rooftop in Cannes. He manages to not look like a moviestar which is very clever because everybody follows the moviestars in Cannes, and it’s like you can almost feel the air crackles of static electricity.
Then the director snared Pattinson, one of the hottest actors on the planet. But “Cosmopolis,” which opens locally Friday, is not a multiplex-ready entertainment or even a horror film. Based on a novel by Don DeLillo (“White Noise”), it’s a day in the life of a paranoid billionaire who runs his empire, beds his lover and checks his prostate in the back seat of a limo that’s circling Manhattan.
To get the movie made, Cronenberg, 69, had to enter the sanctum of the same kind of kingpin who is satirized in the movie.
“One of our investors in this film is known as the French Warren Buffet,” Cronenberg told me when I passed the distributor’s background check and was able to chat with him on the phone recently. “One of the reasons he wanted to get involved is because he says he deals with people like Robert’s character all the time. They live in a kind of bubble of unreality. They handle billions of dollars every day but they never really touch money. He felt that this story was strangely accurate.
The ace up Cronenberg’s sleeve was Pattinson, who attracted investors and then delivered a performance that leveraged his vampire persona from the “Twilight” movies. “I don’t mind the metaphor of a blood-sucking businessman,” Cronenberg said, “but by the end of the movie, as he’s thinking about his past and visiting his childhood barber, he’s a much more vulnerable character.
Here’s a new interview from Rob and David. Part of the interview was posted here
When the noted independent filmmaker, whose credits include A History of Violence (2005) and Eastern Promises (2007), gave Pattinson the script for Cosmopolis — based on the Don DeLillo novel — the actor could see himself as Eric Parker, the 28-year-old billionaire asset manager whose world falls apart around him as he rides in his stretch limo to get a haircut while wagering his company’s massive fortune on a bet. But Pattinson had one problem.
“I was honest with David and said that I loved his script, but I didn’t fully understand it,” Pattinson says. “I knew, if I tried to have a BS conversation about it, that David would call me out.”
Cronenberg, too, had some reservations — about Pattinson. “Could this British guy do a New York accent where it’s not agonizing?” the filmmaker recalls wondering. “Could he play that age? Does he have the charisma to hold the audience for the whole movie, because he’s literally in every scene? “I did my homework and watched Little Ashes (2008) and Remember Me (2010),” Cronenberg says. “I even watched interviews that Robert did. I wanted to know what this guy was like when he was just being himself. I wanted to get a feel of what he was like as a person. I wanted to know that he had a sense of humor, and he does. “I finally said, ‘OK, this is the right guy.’ ”
Most of Pattinson’s films have required him to forgo his natural British accent, so he had no problem finding Eric’s New York speech patterns.
“I don’t even know what accent I was doing half of the time,” he admits. “I always found that the dialect was written in the lines. The voice was also part of the preparation. I wasn’t even trying to get a New York accent.”
His next film is, of course, the series-ending Twilight Saga: Breaking Dawn — Part 2, due in November. Cosmopolis is nothing like that, which is by design. “I try to do something different from vampire Edward Cullen each time I’m not doing a Twilight film,” Pattinson says. “I even try to make him different each time I do Twilight.”
As a child growing up in London, Pattinson had dreams of stardom, but they involved music. That he ended up as an actor still bemuses him. “When I’m asked to write down my occupation, it’s still hard for me to write actor.”
After auditioning for Troy (2004) but not getting the part, Pattinson was cast in Harry Potter and the Goblet of Fire (2005) as the handsome, charming and doomed Cedric Diggory. Three years later, he began his turn as soulful vampire Edward Cullen. For “Twi-hards” dreading the end of the film franchise, Pattinson offers some words of hope. “I’m sure they’ll have a Twilight TV-series spinoff soon,” he says. “They’ll do it again.” That presumably wouldn’t involve Pattinson. There is talk of a film prequel, however. Would he be willing to play Edward again? “Who knows?” says Pattinson, laughing. “The only thing that creates a little bit of a problem is that I’m supposed to be 17 forever.
Patrick Brennan (Liam ‘Irish Coven ‘ in Breaking Dawn Part 2) mentions Robert Pattinson in an interview with Letters to Twilight
When you found out you were going to work on this movie, who were you most excited to work with?
You know I have a scene with all the guys- Robert Pattinson – the 3 of those guys- and Kristen- I found them to be so… I was looking forward to meeting those three – I found them to be so welcoming and down to earth and normal. I don’t know what I was expecting but I wasn’t expecting that. I found them all to be really really great people. And funny and weird and cool. And when I did my scene with Jacob I was stumbling over lines and thought “wow—it’s too odd. I’m sitting across from these Twilight stars.” It took me awhile to get in my body & get in the scenes. I was nervous. And Michael Sheen- I’ve always admired him as an actor. And I didn’t get to do much with him, but I got to know him a little bit on set. I’ve always admired his work as an actor.
What was it like coming into such an established franchise. Did you feel like the new kid? What were your feelings joining everyone?
Well i was nervous- extremely nervous. Like I said Bill Condon and all those people and the guys that have been there through the whole thing- Robert and all those guys- they did have a way of putting you at ease. And I found them to be so normal. Maybe I was expecting them to be movie stars who were stand-offish, but they weren’t like that. I knew it was a big deal, but once you go to the conventions and see how big it is, it is pretty awesome
Here’s a Robert Pattinson interview with The Chicago Suntimes – talks about Twilight, Cosmopolis
Last week he fended off countless questions about the scandal while making the media rounds to promote “Cosmopolis,” his new film with director David Cronenberg (“A History of Violence,” “Eastern Promises”).
Through it all, he felt the love of his fans. The Twi-hards definitely have been Team Robert.
“I don’t credit that to myself,” Pattinson says. “It’s just that there is something elemental about the ‘Twilight’ books and the movies. The core story has connected to people.
“The fan love from that is kind of amazing. I guess it’s so much better than everyone hating you.”
By now he should have developed an attitude — if only he knew how.
“I want to change. I can’t make myself change. I can’t develop an attitude,” Pattinson says with a goofy giggle that is his trademark.
Adds Cronenberg, “I’ve seen him even try to change and it’s pathetic.”
In “Cosmopolis,” based on the novel by Don DeLillo, Pattinson plays a 28-year-old financial whiz kid and billionaire asset manager whose world is exploding. He gets into his stretch limo to get a haircut from his father’s old barber while wagering his company’s massive fortune on a bet against the Chinese Yuan. His trip across the city becomes a journey as he runs into city riots, various visitors and intimate encounters.
Filming in a limo for so long wasn’t claustrophobic.
“I actually kind of enjoyed it,” he says. “In the beginning, I wanted to stay in the car for the entire day. But it was so unbearably hot. I couldn’t really do this method.
“The car made me really concentrate.”
The London-born actor does an American accent in the movie. “I don’t even know what accent I was doing half of the time,” he admits. “I always found that the dialect was written in the lines.”
This fall, he plays vampire Edward Cullen in “Breaking Dawn — Part 2,” meant to be the final installment of the “Twilight” franchise.
Fans of the series are about to enter the depression zone, and Pattinson offers some words of hope.
“I’m sure they’ll have a ‘Twilight’ TV series spinoff soon. They’ll do it again,” Pattinson says.
Would he ever play Edward Cullen again?
“Who knows?” he says. “The only thing that creates a little bit of a problem is that I’m supposed to be 17 forever.
“I’m not sure I can be 17 forever,” he says with another giggle.
He is excited to see what the future holds for him in Hollywood and elsewhere.
“Life is all about luck,” he says. “Getting to this point was lucky. I just hope that my luck holds out.”
Ask him what he knows about life at this point that he didn’t know when he was younger, and he giggles again.
“I basically have learned that I know absolutely nothing,” he says. “I thought I knew it all. Again, I knew absolutely nothing.”
From Oregon Live(click to read the full interview)
Given the heavy New York atmosphere of the film, it’s something of a surprise that Cronenberg should have chosen the British actor Robert Pattinson for the lead role. Pattison is best known, of course, for the relatively featherweight demands of the “Twilight” films, which reveal little of the heavy, internal and intellectual stuff that “Cosmopolis” demands. After declaring that “casting is a black art: there’s no rule book to guide you,” Cronenberg explains that he watched some of Pattinson’s non-“Twilight” work, especially “Little Ashes,” in which he played the young Salvador Dalí, and felt he’d found his man. Still, he admits, there is, in all such matters, a leap of faith.
“It’s just intuiting that he can do the role,” he says. “Because you’re asking him here to do things he hasn’t done before. But I was convinced by the time that I had done all my work that he was the right guy. I knew he was good, and he surprised me by how good he was.”
Here’s what actor Paul Giamatti had to say about working with David Cronenberg, the film’s straight-faced wackiness, and why he won’t tell you what the towel means:
The tone of Cosmopolis is this very straight-faced, serious type of wacky. How did Cronenberg describe the tone to you?
You know, he didn’t, in a lot of ways. I think he just trusted we’d get a sense of it. Even though the dialogue is very odd, you know what his sensibility is anyway, so you kind of know what the tone is. I did something I don’t normally do on a movie…I just came in at the end, after they shot most of the movie, and I asked David if I could watch the footage, because I wanted to see the tone of the movie and what Rob looked like, talked like, and moved like. I felt it was something I needed to see, because I’m playing a guy who always has a fantasy of him in his head. I did ask to see the footage for exactly what you just said: it’s an odd tone. I wanted to just watch some of it, so I could see how I could fit into it and, in some ways, veer off of it.
It is similar to a few of his previous film in how abstract the story can be at times. When you get a script this dense and full of symbolism, do you try to apply meaning to everything or do you just go with it?
In this instance, with this script, I read this whole script many, many times. I usually do that anyway, but, on this, it felt essential for me to read it a bunch of times. It wasn’t about just concentrating on my stuff, partially because it was so interesting. I just had such a good time reading it and thinking about it. Like you said, there’s a tonal thing, and I needed to have a sense of that in my head. I also feel like the character has a real awareness of Rob’s character, so I felt like I needed to know Rob’s character. Certainly, in my scenes, it all had to make crystal sense to me [Laughs].
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