Archive for the ‘Maps To The Stars’ Tag
VIDEO: New Robert Pattinson interview with X Style (Italy) – Cannes Press Junket 1 comment
New videos of Robert Pattinson at the Cannes Film Festival Leave a comment
The Rover Premiere
Maps to the Stars Premiere
Arriving at the Maps to the Stars Press Conference
New pictures of Robert Pattinson from Cannes Film Festival Leave a comment
NEW Robert Pattinson’s Interviews with Direct Matin & A Nous Paris – France 1 comment

ETA: A Nous Paris (you can check the scans at Robert Pattinson France) has an interview with Rob that is the same of Direct Matin interview with a few differences (probably because of the translation). They have an extra question about Life and James Dean. Here’s the translation:
You’re not the one who plays James Dean?
No, it’s Dane Dehaan but it’s funny because there’s similarities to my path, with the fact that everything happened in 2 months, between the moment where he was no one and this incredible success that was dropped on him. The famous picture where we see him smoke at Times Square, it
Teen icon at the beginning of his career, Robert Pattinson definitely settled himself in the Hollywood landscape. In ‘The Rover’ by David Michiôd, he plays a simple minded guy forced to work with his enemy to find his brother in the Australian desert. It’s a controlled shift the British actor admits it was made possible thanks to his meeting with David Cronenberg.
Was it the world of ‘The Rover’ or its character that sparked your interest first in the project?
I found the script really interesting but I had a really strong connection first with my character, especially the way he express himself. I had never seen a character like this before.Was it difficult to play someone who’s simple minded?
Not at all, it came naturally (laughs). I approached him like a beaten up street dog that would keep on going back to his master for a little bit of affection.The film imagines a ruined world by men’s madness. Do you think this is where we’re heading with our society?This could happen but I’m more optimistic than that. I have more faith in humanity. In ‘The Rover’, men aren’t completely lost, they all didn’t become mad. Some still have hope and try to revive the Earth. But this economic collapse is totally conceivable.
You play, one after the other, in two movies ‘against the system’: ‘Maps to the Stars’ and ‘The Rover’, are you engaged in politically?
I’m more or less liberal.It’s hard to be an actor and not be liberal by the way. Maybe we should be more worried about the oceans but I don’t take politics very seriously. When you see that most Western countries are under the leadership of a handful of multinational companies, it seems like voting is some kind of a joke.From teens’ sex symbol to an actor seeked by the biggest directors, what was the secret to your career change?
It took some time. It’s been 4-5 years that I’ve tried to create priviledged relationships with directors whose work I’ve admired and it appeared that things settled at the same time. ‘Cosmopolis’ changed everything. Ever since my meeting with David Cronenberg, my career took a new turn.
You were in Cannes with two movies: ‘The Rover’ and ‘Maps to the Stars’ by David Cronenberg.
It’s one of the most exhilarating places to screen a movie. There’s an incredible energy that dominates over there. I like doing press at Cannes. The journalists are actually interested in the movies and don’t ask you questions like ‘What’s your favorite food?’ In France, journalists love the cinema.You just finished filming Werner Herzog’s movie ‘Queen of the Desert’ about the spy, Gertrude Bell. Who do you play in it?
I play the young Lawrence of Arabia. He was a close friend of Gertrude Bell during WWI.You also play the photographer, Dennis Stock in ‘Life’ by Anton Corbijn.
We just got done shooting. I saw the trailer the other day. I play this guy who photographed James Dean right before he became famous. James was unknown at that time.What else do you have planned?
In November, I’m working with Olivier Assayas in a movie called ‘Idol’s Eye’. It’s a gangster movie on the true story of a group of thieves who robbed a pawnbroker’s shop that belonged to the mafia. It takes place in the 1970s. I met Olivier Assayas two and a half years ago but the project only came to be a few months ago.
Robert Pattinson Interview with Le Figaro – France Leave a comment
Google Translate for now:
On a terrace at the windswept the Palais des Festivals, a man with his head tucked into his shoulders, pulls on his cigarette. A bodyguard stands a few meters from him. The anonymous smoker is Robert Pattinson. With two films in the official selection, Maps To The Stars, by David Cronenberg, and The Rover, by David Michôd, the actor was one of the attractions in Cannes. When you arrive at our rendezvous on the Croisette, he was not very fresh. The day before he was closing the Silencio, the Parisian club relocated during the festival . He woke up ten minutes before appointments with the press.
More after the jump!
New photos of Robert Pattinson at the ‘Maps To The Stars’ afterparty 3 comments
*SCAN* New Robert Pattinson interview with Hello Magazine – Cannes Press Junket 3 comments
*SCAN* New Robert Pattinson interview with Hello Magazine – Cannes Press Junket

Read the transcript of the interview after the jump
NEW Robert Pattinson interview and photoshoot with The Hollywood Reporter 6 comments
NEW Robert Pattinson interview and photoshoot with The Hollywood Reporter


From The Hollywood Reporter:
At the apex of his fame, the star of June’s “The Rover” sold his $6 million house (“too big”) and began sidling up to top directors, two of whose movies he starred in at Cannes: “I don’t need anything. I don’t want anything at all.”
On April 21, 2012, Robert Pattinson slipped into a rented Toyota Camry and set out on the 10-minute drive from his home in L.A.’s Los Feliz to Koreatown. The actor was anxious; he was about to audition for a role he desperately wanted, and auditions are hardly his forte. “I hate auditioning,” he says. “I just can’t do it. I get so nervous, like cripplingly nervous. I’m bad at them, and I feel awful afterward.” Nor were his nerves soothed by his recent forays into indie film. Such pictures as Bel Ami and Little Ashes had come and gone with more of a fizzle than a bang, and Cosmopolis would sputter out soon — all mere squibs compared to the supernova Twilight, which earned $3.3 billion at the box office and brought Pattinson $20 million for its final installment alone.
He wanted this part — needed it, even — to prove he no longer was just a dark, brooding, iridescent, slightly humorless, 100-year-old vampire named Edward Cullen. So he arrived at his destination young, handsome, famous and worried as hell. “It was terrifying,” he says. “It’s kind of rare that I really, really want stuff.”
He shouldn’t have stressed (though maybe that helped). “He came through with flying colors,” says David Michod, the Australian director of 2010’s Animal Kingdom, who put the actor through his paces in a marathon three-hour meeting that included lengthy conversations, scene readings and improvisation, all to see if he could play a slow-witted gang member who sets out on a road trip with Guy Pearce across a dystopian Australia in search of the latter’s stolen car. “He came the closest of any actor to walking into the room with a beautiful, fully realized version of the character that was not dissimilar to mine. It was exhilarating because I could suddenly see the movie.”




































