Rob and Kristen talk about wanting together again
Rob talks about what would he say to himself, knowing what he knows now, 5 years ago
Rob and Kristen talk about wanting together again
Rob talks about what would he say to himself, knowing what he knows now, 5 years ago
ETA: More from Rob’s interview with E!News – the new part starts at 1:50
ETA 2: Another video added (new parts at beginning, 1:55 , 2:40 and 4:15)
Kristen talks about working with Rob
Robert Pattinson interview from Cannes in Swedish ‘Dagens Nyheter’ newspaper
Translation via Gossip_Dance
The vampire star doesn’t hold back when it comes to his image. His latest movie, “Cosmopolis” is set in a limo, where he lives with daily prostate examinations and customer visits.
Robert Pattinson is walking with a cup of coffee in one hand a red lollipop in the other hand at the hotel’s restaurant, at the rooftop in Cannes. He manages to not look like a moviestar which is very clever because everybody follows the moviestars in Cannes, and it’s like you can almost feel the air crackles of static electricity.
Here’s a new interview from Rob and David. Part of the interview was posted here
When the noted independent filmmaker, whose credits include A History of Violence (2005) and Eastern Promises (2007), gave Pattinson the script for Cosmopolis — based on the Don DeLillo novel — the actor could see himself as Eric Parker, the 28-year-old billionaire asset manager whose world falls apart around him as he rides in his stretch limo to get a haircut while wagering his company’s massive fortune on a bet. But Pattinson had one problem.
“I was honest with David and said that I loved his script, but I didn’t fully understand it,” Pattinson says. “I knew, if I tried to have a BS conversation about it, that David would call me out.”
Cronenberg, too, had some reservations — about Pattinson. “Could this British guy do a New York accent where it’s not agonizing?” the filmmaker recalls wondering. “Could he play that age? Does he have the charisma to hold the audience for the whole movie, because he’s literally in every scene? “I did my homework and watched Little Ashes (2008) and Remember Me (2010),” Cronenberg says. “I even watched interviews that Robert did. I wanted to know what this guy was like when he was just being himself. I wanted to get a feel of what he was like as a person. I wanted to know that he had a sense of humor, and he does.
“I finally said, ‘OK, this is the right guy.’ ”Most of Pattinson’s films have required him to forgo his natural British accent, so he had no problem finding Eric’s New York speech patterns.
“I don’t even know what accent I was doing half of the time,” he admits. “I always found that the dialect was written in the lines. The voice was also part of the preparation. I wasn’t even trying to get a New York accent.”
His next film is, of course, the series-ending Twilight Saga: Breaking Dawn — Part 2, due in November. Cosmopolis is nothing like that, which is by design. “I try to do something different from vampire Edward Cullen each time I’m not doing a Twilight film,” Pattinson says. “I even try to make him different each time I do Twilight.”
As a child growing up in London, Pattinson had dreams of stardom, but they involved music. That he ended up as an actor still bemuses him. “When I’m asked to write down my occupation, it’s still hard for me to write actor.”
After auditioning for Troy (2004) but not getting the part, Pattinson was cast in Harry Potter and the Goblet of Fire (2005) as the handsome, charming and doomed Cedric Diggory. Three years later, he began his turn as soulful vampire Edward Cullen. For “Twi-hards” dreading the end of the film franchise, Pattinson offers some words of hope. “I’m sure they’ll have a Twilight TV-series spinoff soon,” he says. “They’ll do it again.” That presumably wouldn’t involve Pattinson. There is talk of a film prequel, however. Would he be willing to play Edward again? “Who knows?” says Pattinson, laughing. “The only thing that creates a little bit of a problem is that I’m supposed to be 17 forever.
Of course everybody wants to ask you about your star, who unfortunately has decided not to join us today. I guess he has his reasons. How and why did you wind up casting Robert Pattinson?
Well, it begins in a very pragmatic way. You get a list of 10 people from various producers and agents, and you start with the basics. How old is this character, and how old is the actor? This character is young, his age is given as 28. So that’s where you start. Does he feel like the right guy? Eric talks about working out a lot and is very physical, so you’re not going to cast someone who’s overweight. It’s simple stuff like that to begin with. And then you get to the pragmatics: How big is your budget and what kind of star power do you need to get the movie financed?And here’s something people don’t think about, which is the passport of the actor. This is a Canada-France co-production, so you’re really restricted in the number of Americans you can use. There’s only one American in this movie, even though it’s set in New York, and that’s Paul. So the fact that Rob is British helps, because he can fit into the co-production thing. So that’s the long way round, and ultimately you get to: Does the guy have the chops and charisma to hold the movie together? Because this character is in every scene of the movie, without exception, and that’s very unusual, even for a star.
So I looked at everything I could find that Rob had done, including “Little Ashes,” where he plays the young Salvador Dali, and I thought, yeah, he could really do this. And I think he’s actually extraordinary. It’s ultimately intuition on my part, and casting is a huge part of directing that’s very invisible. Making-of documentaries don’t usually cover the casting process, but for a director it’s a hugely important part of your art. Juggling all those other balls that I was just talking about, and still coming up with the right guy.
I realize I’d be better off asking him that question, but do you think Rob is eager to change his image after “Twilight,” and push into doing different kinds of characters? After this role, and playing a sadistic sociopath in “Bel Ami,” it certainly looks that way.
Well, I know from doing interviews with him in Europe that he’s not really thinking in terms of his career. He gets offered a lot of stuff, and it’s usually very conventional, boring stuff. He’s always been interested in doing unusual stuff. He’ll tell you that when they started with “Twilight,” he thought it was kind of an indie film. Which it sort of was, you know! It had Catherine Hardwicke as the original director, and it was an unusual, off-kilter vampire story. Nobody knew that it would be the kind of mainstream success that it became.In a way, “Cosmopolis” is a lot closer to his heart than “Twilight,” you know. When he read it, he told me that he was also struck by the dialogue. He thought it was incredibly fresh and new and surprising and engaging, and he immediately wanted to do it. He was afraid, because I think he still hasn’t come to terms with the fact that he’s actually an actor! He didn’t grow up thinking he wanted to be an actor. As with many actors, and not just young, inexperienced ones, he wasn’t sure he was good enough! He wasn’t sure he was the right guy, and he didn’t want to be the guy who would bring down this terrific project. So my job, at that point, was to convince him that he was indeed the right guy. That took me about 10 days, I suppose.
Are you telling me that you have actually watched the “Twilight” movies? That’s a bit hard to imagine.
Yeah — or no, I watched about one and a half of them. I’m interested in everything, frankly. I’m not a snob, you know. I really am curious about everything. If something’s hugely popular, it doesn’t automatically mean I’m going to look at it, but sometimes I’m curious as to why something is really popular, let’s say. In the case of “Twilight,” I was watching it for Rob, that was the thing. It’s not like – I mean, I hadn’t seen them before that.