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‘The Rover’ Cannes Press Screening – Reviews + Media Reactions   3 comments

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Here are some reviews and media reactions from the ‘The Rover’ Press Screening this morning

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From Variety

Tipping its hat to George Miller’s “Mad Max” trilogy while striking a more somber, introspective tone, Michod’s sophomore feature isn’t exactly something we’ve never seen before, but it has a desolate beauty all its own, and a career-redefining performance by Robert Pattinson that reveals untold depths of sensitivity and feeling in the erstwhile “Twilight” star. A commercial challenge due to its mix of explicit violence, measured pacing and narrative abstractions, the pic should earn the warm embrace of discerning genre fans and further establish Michod as one of the most gifted young directors around. Pearce is fiercely impressive here as a man who gave up on the human race even before the latest round of calamities, and if there are occasional glimpses of the kinder, gentler man he might once have been, we are more frequently privy to his savage survival instincts. But it’s Pattinson who turns out to be the film’s greatest surprise, sporting a convincing Southern accent and bringing an understated dignity to a role that might easily have been milked for cheap sentimental effects. With his slurry drawl and wide-eyed, lap-dog stare, Rey initially suggests a latter-day Lennie Small, but he isn’t so much developmentally disabled as socially regressed — an overprotected mama’s boy suddenly cast to the wolves — and Pattinson never forces or overdoes anything, building up an empathy for the character that’s entirely earned. He becomes an oasis of humanity in this stark, forsaken land.

Read more reviews and reactions after the jump

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