LOS ANGELES—“It’s a secret,” said Robert Pattinson, breaking into laughter. He was just asked to talk some more about the script he is supposedly writing, based on a novel by Lillian Hellmann, as disclosed in a Vanity Fair cover story on the actor by Nancy Jo Sales.
Here are some HQ scans & translation sent to us by Ursula from M Entertainment Magazine in Austria Featuring Robert Pattinson and Water for Elephants | Click to make big
Robert Pattinson is a vampire. He may be a London-born model, actor and musician. He may have been named one of Time Magazine’s 100 Most Influential People in the World last year. But to most of the general public, he is a pale, brooding, blood-sucking denizen of the netherworld who is in love with one human girl and has millions of others swooning.
For most vampires, there is no hope of ever hanging up the fangs. It has something to do with fate and doom and whatnot. But in Pattinson’s case, there could be a light at the end of the “Twilight” tunnel.
Pattinson’s turns as Edward Cullen in the film adaptations of the Stephenie Meyer “Twilight” series of novels has made him wealthy (a reported $27.5 million in 2010 alone) and famous. Now comes the hard part: Establishing himself as a respected thespian beyond his signature role as the toothy blood-sipper. Next he stars opposite Reese Witherspoon in the Depression-era circus drama “Water for Elephants,” which opens March 22.
Sorry, ladies. In the daylight, Robert Pattinson’s skin does not sparkle like diamonds. He’s not even unusually pale. The closest he gets to his dreamy-vampire persona is when, during the course of conversation, he absently tousles his hair into something like his undead do. Perhaps the most surprising thing about Mr. Hunky Bloodsucker in person is how soft-spoken he is.
That is, until an unwanted visitor appears on the balcony.
“Jesus, I thought that crow was going to come in the room,” he says. “That would be a bad omen!”
The large black bird has settled menacingly on the railing, facing outward but occasionally glancing over its shoulder as if to say, “I see you.”
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