Archive for the ‘Maps To The Stars’ Category
‘Maps to the Stars’ and ‘The Rover’ in Cinemateaser Magazine
Maps to the Stars


Excerpts: Actress Sarah Gadon raved about the curious experience that this film was, still a mystery for her. “(…) The script is incredibly bright. It’s mostly a very violent satir of Hollywood. It’s very strange for me to find myself in the heart of the system after filming something so dark and so nasty.”
(…) Between genre film and lampoon, film noir and soap opera, we hope Maps to the Stars is going to shake up festivalgoers. We would especially love to have there, with this tortuous tale about Hollywood, a kind of Mulholland Drive 2.0. All the ingredients seem brought together, to recreate the confused experienced felt during the presentation of the feature film by Lynch in 2001 on the Croisette. Cannes loves nothing more than films that escape us. If Cosmopolis was probably too theoretical and verbose, Maps to the Stars seems rather full of excesses and flesh, a film whose apparent madness probably hides unexpected nooks and shadows so dear to the director. We hope the famous Cronenberg’s maps to the stars doesn’t take us where we would want to go.
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The 67th Cannes Film Festival official screening guide is out and now we have for confirmation for The Rover and Maps To The Stars’ World Premieres at Cannes:
The Rover will have it’s world premiere on May 18th at 10:30pm (local time) at the Grand Theatre Lumiere.

Maps To The Stars world premiere will be on May 19th at 10:30pm (local time) at the Grand Theatre Lumiere.

Check the full Cannes screening schedule here
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“Stars’ Chauffeur ready for anything to become an actor”
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Here’s the translation of Robert Pattinson and David Michod’s interviews in Premiere France. You can find the scans HERE

Robert Pattinson Chapter 2
With two films at Cannes, Maps to the Stars by David Cronenberg (May 21st) and The Rover, by David Michôd (June 4th), Robert Pattinson proves once again that his lively performance in Cosmospolis was only a preliminary step. Exclusive meeting with an actor in the midst of his metamorphose.
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Here are 200+ screencaps from the new Maps to the Stars clips.

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We can expect a new interview and more photos as well!

The tweet:
translation:
“Robert Pattinson metamorphosis! Cannes special issue will be on sale from next Wednesday!”
Preview:
“That’s it, Robert Pattinson has definitely moved up a gear and left Twilight behind him. It will be in two highly anticipated Cannes Film Festival 2014 movies: The Rover , western post-apocalyptic hyper violent, brutal and uncompromising, and Maps to the Stars , his second collaboration with David Cronenberg after turning Cosmopolis , family psycho drama that autopsy Hollywood. The opportunity to put also on the cover of next issue of Premiere, Cannes with his special report providing an update on all films and events of the 2014 vintage Croisette.
And also the opportunity to interview Robert in long, wide and across: he talks about the film below his sex scene with Julianne Moore in Maps to the Stars ( “I was breathless, soaked … and not at all “ ), hyper intense shooting The Rover ( a “hungry” movie ) in the middle of the Australian desert, what Cannes is for him, directors James Gray and Romain Gavras … Above all as shown in our coverage, the opportunity to discover the former Edward Cullen as no one has ever seen for a photo shoot … colorful, say. Proof by picture.
Number-in which can be found among others the story of the epic reboot of Godzilla, a meeting with Emily Blunt , etc. -. available on newsstands next Wednesday.
Maps to the Stars released on May 21 and June 4 The Rover”
Via | Premiere France | Via
Here’s a great article on Rob’s upcoming movies

From Yahoo:
Robert Pattinson first appeared on movie screens in the 2004 movie adaptation of William Makepeace Thackeray’s “Vanity Fair” and began garnering attention with his portrayal of Cedric Diggory in “Harry Potter and the Goblet of Fire.” However, it was not until the first “Twilight” movie was released in 2008 that Pattinson rose to the level of international heartthrob. The English actor was perfectly cast as Edward Cullen, the love interest of Bella Swan, and reprised the role in subsequent “Twilight” films.
Since his appearance in “Twilight,” Pattinson has managed to defy expectations and continually impress critics with his choices in roles and his diverse acting chops. Around the same time as “Twilight,” Pattinson played a young Salvador Dali in “Little Ashes,” and in 2012, he played the lead role in “Cosmopolis,” a David Cronenberg-directed adaptation of a Don DeLillo novel.
With the last “Twilight” installment well in the past, fans of Robert Pattinson may be wondering what is next for the rising star. The following films are a few of Pattinson’s upcoming projects.
“The Rover”

Robert Pattinson has already appeared onscreen with some formidable acting talent, but “The Rover” finds Pattinson acting next to “L.A. Confidential” and “Memento” star Guy Pearce. An Australian crime picture that takes place in the near future, “The Rover” is a very interesting project equipped with high-wattage star power. The film was directed by David Michôd, who only has one feature-length credit under his belt, but that film happens to be the excellent crime thriller “Animal Kingdom.” “The Rover” debuts at the 2014 Cannes Film Festival before making its way to a U.S. release in June.
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Here are the full production notes from Maps to the Stars. To see the click here.
Here’s a summary:
THE LIMO DRIVER
“Plus we’re both dual-disorder”
When Agatha Weiss returns to Los Angeles, she makes an instant connection with the first person she encounters: her limo driver, a would-be screenwriter who chauffeurs the far more successful, and who becomes increasingly entangled in her larger-than-life drama.
Taking the role of Jerome is leading star Robert Pattinson, who wanted to work with Cronenberg again on the heels of taking the lead role in Cosmopolis (coincidentally, Pattinson played a billionaire who is a limo passenger throughout that film.)
He was one of the first cast members to sign on, which Martin Katz says helped buy the project. “Robert’s enthusiasm for Maps to the Stars is one of the things that really got us underway. Jerome is not a large role but it’s very significant in the story and his joining the cast gave us a terrific amount of momentum,” recalls the producer. “In a sense he is playing Bruce Wagner, who was himself at one time a limo driver and unemployed writer.”
Cronenberg was thrilled to reunite with Pattinson, and in such a different kind of role. “I think Rob was really happy to be part of an ensemble,” he says. “But Jerome is also a critical character, a lovely character and it was a chance for Rob to give a more naturalistic performance. I knew he would be fabulous and he was.”
Pattinson’s experience working on Cosmopolis with Cronenberg was so profound that he agreed to the role of Jerome before reading the script. But when he finally sat down to read it, he recalls, “Within two pages I was thinking wow, this is so unbelievably different and hilarious. I don’t even know what people are going to make of this, but it feels dangerous. It’s sort of satirical but it’s also a ghost story and it’s also a kind of thriller. It defies genre.”
He came to see Maps To The Stars as more than just another L.A. story. “It’s really about people who lie to themselves – right up until the end,” he summarizes.
Yet within all that, Pattinson sees Jerome as the most ordinary of the film’s roster of outrageously deluded and desperate characters — typical of a certain kind of everyday L.A. dreamer, a regular guy with a regular job who nevertheless always believes he is just one move away from becoming a major actor and writer.
“Jerome would never accept that he is just a limo driver. I think he feels he’s just waiting for his break,” Pattinson observes. “And yet, he’s seemingly the only one in this story who’s not going insane — or who isn’t a ghost. He’s a fairly normal guy, which is slightly odd for me, as well.”
Working with his fellow cast members was another big draw for Pattison. Of Julianne Moore, he says: “She’s hilarious and also very sane, which is kind of ironic given who Havana Segrand is. And she shifts so subtly into character, you barely notice what she is doing. It’s kind of amazing.”
He worked most closely with Mia Wasikowska as Agatha, who comes to rely on Jerome as her sole friend in the city. “I knew Mia was going to be wonderful in this,” he says. “She’s so lovely that it was horrible for me to watch Agatha be bullied by her entire family.”
For Cronenberg, the chance to work with cast members like Pattinson and Gadon multiple times is one of the most gratifying aspects of his career. “It’s really beautiful for me to see that blossoming and the evolution of actors as I work with them,” he concludes.
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