New Robert Pattinson, Guy Pearce and David Michôd interview with HitFix

The only similarity between Robert Pattinson’s work in “Twilight” and his new film “The Rover”? The screaming fans who still appeared as he walked the red carpet in Los Angeles on Thursday at the U.S. premiere of the Australian indie movie.
“It’s always distracting when that happens,” “Rover” director David Michôd said in a rare lull of silence outside the Regency Bruin Theatre.
Before casting Pattinson in “The Rover” – the director’s second film (the first was 2010’s “Animal Kingdom”) — Michôd said he wasn’t versed in Pattinson’s vampire period.
“I was pretty much totally unfamiliar with his work, but I had had a meeting with him before I even know I was going to make “The Rover” and really liked him,” Michôd said. “I found his physical energy really kind of beguiling and he was really sort of emotionally available, so I really wanted to sort of see what he could do. And, he just knocked my little socks off to the extent that me and my casting director turned to each other once he left the room and went, ‘Well, OK, that’s done, right?’”
That meeting eventually led to Michôd casting Pattinson in his new movie, which features the star and Guy Pearce as an unlikely duo who embark on a quest across a post-apocalyptic landscape. Pattinson trades glittering skin and perfectly coiffed hair for open wounds and a shoddy buzz cut.
“It’s just so kind of stark, and it was just so different,” Pattinson said of the material. “Something just spoke to me in it, and I really don’t know quite what it was.”
He added, “If these scripts came along once every six months, I would do them every single time. But they just don’t.”
Pearce noted that he “saw a transformation before Day 1, really,” and Liz Watts, one of the film’s producers, said she believed the team ethos helped Pattinson hone the character.
The actor, she said, “came to the outback and put up with flies and heat and dust and all the rest.” (Pattinson has praised the isolated location of the film for helping him focus on the role.)
There was a different vibe in Westwood on Thursday night, the screaming fans a reminder of Pattinson’s more typical moviemaking experience.
Clutching a three-foot rendering of Pattinson’s scruffy face, Nancy Cambino, 47, said she traveled from her native Long Island, N.Y., to see Pattinson at “The Rover” premiere. She became a fan during his “Twilight” days, and has met him multiple times. But it’s not “Twilight” that keeps her holding her Pattinson cutout.
“I actually don’t like ‘Twilight.’ I never did,” Cambino said. “I’m a Rob fan, not a ‘Twilight’ fan. I saw ‘Twilight’ and I went, ‘Oh, I like this guy,’ and I went to watch all his other movies and I like them much better.”
Cambino said she already had her ticket to see “The Rover” that night at a public screening, eagerly pointing to the words on her Pattinson poster below the movie’s title.
“A career-defining role. That’s what it’s all about,” she said.

From IndieWire
How much is the Pattinson character derived from John Steinbeck’s “Of Mice and Men”?
You set up a relationship like this, somewhere in the back of your mind you’re thinking it’s Steinbeck. But one thing that appealed to me was being able to make something lean and muscular and elemental. And that basic relationship between a seemingly loveless murderously embittered man and an open naive simple boy was for me the perfect prism for that elemental story.
Why was Pattinson the right casting?
One thing that was clear to me when I was testing people, and Rob already knew it, was that there were 100 different ways you could play this character, differing degrees of mental problems– just uneducated, developmentally slow.
He’s a good gunslinger.
One of the key reasons for that scene telling Guy when he was a kid on the farm and his neighbors was to make it clear that he has a rich imaginative life, he’s not an idiot, he’s looking for someone to love. Guy realizes too late that’s what he’s looking for too. Rob gave me a character who felt plausibly simple without having to push it too far into the mentally disabled world. He was totally open and engaged. That’s why I had a feeing he was going to be my favorite, when I met him. Even thinking about the bubble Pattinson is forced to live in, I was taken aback by how wonderfully open and engaged he was when I met him as a stranger.
Read the rest of the interview here
After a starry premiere at the Cannes Film Festival, Robert Pattinson, Guy Pearce and director David Michod brought “The Rover” to The Regency Bruin Thursday.
Michod told Variety that he hadn’t been familiar with Pattinson’s previous work. “Rob just came in and did a beautiful audition for me that was both vulnerable and completely alive,” he said.
“This proved that seeing him work with Guy Pearce and Scoot McNairy, we realize he’s a consummate actor,” added producer David Linde. “He’s in the ‘Twilight’ movies and people don’t think of him in this way, but as you see in this movie he’s the real deal.”
For Pattinson, he said his goal is to work with good, ambitious directors. “These roles just don’t come up that often,” he said. “A script like this is so rare, I mean, it’s in the top five scripts I’ve ever read.”
Pattinson plays Rey, a yellow-toothed, simple-minded man who is one of the last survivors in a world 10 years after an economic collapse.
“I like how my character was set up. It was just sort of two really dense dialogue heavy scenes in the midst of almost no dialogue, so it let you be pretty free to do anything with it,” said Pattinson.

When the franchise that made you famous has made over $1.3 billion at the box office, you’d probably never lower yourself to audition for a role again, right?
Not Robert Pattinson.
To win over Animal Kingdom writer/director David Michôd, RPatz threw any Twilight swagger out the window. “I didn’t know anything about him,” Michôd told us Thursday night at The Rover‘s L.A. premiere. (He said this with a straight face.) “I hadn’t seen any of the Twilight films.”
But Michôd remembered meeting Pattinson and his “really wonderfully awkward physical energy,” which the director thought would be perfect for The Rover, a post-apocalyptic drama, which leaves RPatz caked in dirt and blood as the dim younger brother of a car thief.
Despite the fact that few in Pattinson’s position would continue to test for roles, said Michôd, Pattinson was cool about it:
There were no airs, there was no arrogance, there was no sense of entitlement. Even in terms of testing for me. He knew that he needed to work hard to have the kind of career that he wants.
How did Pattinson, dressed in a natty teal suit, feeling about bringing his Cannes hit to the U.S.? “A bit scary,” said the actor, looking around at the college crowd at Westwood’s Regency Bruin theater waving signs and posters. (Even Zac Efron was there.)
“But we had a really young audience in Australia a few days ago and it was such a bafflingly different reaction. Everybody was like, howling with laughter. And in Cannes you could hear a pin drop the entire time. Crazy. So I have no idea what the reaction’s going to be.”