Here are the German release dates and pre-order links for Cosmopolis & Bel Ami
Cosmopolis – October 29
Bel Ami – November 29
Here are the German release dates and pre-order links for Cosmopolis & Bel Ami
Cosmopolis – October 29
Bel Ami – November 29
From James’s Film Reviews:
But the film really belongs to Robert Pattinson in the central and very difficult role as the, initially at least, extremely unsympathetic role as Eric, driven by a purely superficial, almost megalomaniac sense of greed.
Pattinson’s teen-vampire Twilight days are far behind him. This is a simply a brilliantly nuanced performance, his mesmeric features the epitome of poise, as Eric’s self-assurance erodes away his soul. Surely he’s in win a chance for a nominee for Best Actor in February? Sinewy, measured, calculating and colder than the Arctic Circle, it’s an achievement that Pattinson encompasses all this, while not making him any less captivating at the same time.
There’s really not much to criticize about this experience. What could have so easily been a risky, languid leaden-heavy film, just by its very nature, is, instead both a gripping visual metaphor for our time, and a master-class in artistic prowess. All the flare which is now a customary expectation from Cronenberg is present in an abundance of originality – whether it’s the low-level sterility of the cinematography, or the telling gaps in between dialogue, which often tell the audience more than the characters do.
What makes this truly exceptional however, is the unique quality its premise possesses. I can’t think of a film drama, which executes the form of setting itself almost exclusively in one location, quite so well. Roman Polanski’s brilliant Carnage managed it to acidic comic effect, but the dynamics of that firework-ensemble are entirely differently handled, compared to this, periodically put together concept, whereby different characters enter and exit the limousine in turns. I admire greatly the theatricality which that both demands, and delivers with a certain clinical flourish, somewhat reminiscent of one of my favourite plays, albeit in another time and location – Stephen Daldry’s similarly daring revival of An Inspector Calls. Both projects regardless of their medium, not only astound the eye, but also force us to conduct a moral examination of our hearts and souls, as well as our roles within the greater consciousness.
This is a supremely daring, occasionally violent alert of the senses: (towards the end, there’s a startlingly realistic bullet-through-the-hand shot), and an ending so open (or closed), it’ll play on you for weeks afterwards. Cronenberg continues an eclectic display of skill across a versatile selection of genres.
A haunting, darkly triumphant masterpiece, with a fantastic performance from Pattinson. One of year’s most original pieces of work – as well as one of the most memorably impressive.5 stars
CBS News has new short interview from the premiere. Rob talks about DeLillo’s work and the Cosmopolis’ script – at 0:20
Here is a scan of Robert Pattinson in Bullett Magazine which features some new Cosmopolis stills and BTS pics which I’ve cropped for you guys.
Cropped stills
Click to make bigger

–
Robert Pattinson interview from Cannes in Swedish ‘Dagens Nyheter’ newspaper
Translation via Gossip_Dance
The vampire star doesn’t hold back when it comes to his image. His latest movie, “Cosmopolis” is set in a limo, where he lives with daily prostate examinations and customer visits.
Robert Pattinson is walking with a cup of coffee in one hand a red lollipop in the other hand at the hotel’s restaurant, at the rooftop in Cannes. He manages to not look like a moviestar which is very clever because everybody follows the moviestars in Cannes, and it’s like you can almost feel the air crackles of static electricity.
David Cronenberg talks about Rob in an interview with St. Louis Post Dispatch
Then the director snared Pattinson, one of the hottest actors on the planet. But “Cosmopolis,” which opens locally Friday, is not a multiplex-ready entertainment or even a horror film. Based on a novel by Don DeLillo (“White Noise”), it’s a day in the life of a paranoid billionaire who runs his empire, beds his lover and checks his prostate in the back seat of a limo that’s circling Manhattan.
To get the movie made, Cronenberg, 69, had to enter the sanctum of the same kind of kingpin who is satirized in the movie.
“One of our investors in this film is known as the French Warren Buffet,” Cronenberg told me when I passed the distributor’s background check and was able to chat with him on the phone recently. “One of the reasons he wanted to get involved is because he says he deals with people like Robert’s character all the time. They live in a kind of bubble of unreality. They handle billions of dollars every day but they never really touch money. He felt that this story was strangely accurate.
The ace up Cronenberg’s sleeve was Pattinson, who attracted investors and then delivered a performance that leveraged his vampire persona from the “Twilight” movies. “I don’t mind the metaphor of a blood-sucking businessman,” Cronenberg said, “but by the end of the movie, as he’s thinking about his past and visiting his childhood barber, he’s a much more vulnerable character.
Here’s a new interview from Rob and David. Part of the interview was posted here
When the noted independent filmmaker, whose credits include A History of Violence (2005) and Eastern Promises (2007), gave Pattinson the script for Cosmopolis — based on the Don DeLillo novel — the actor could see himself as Eric Parker, the 28-year-old billionaire asset manager whose world falls apart around him as he rides in his stretch limo to get a haircut while wagering his company’s massive fortune on a bet. But Pattinson had one problem.
“I was honest with David and said that I loved his script, but I didn’t fully understand it,” Pattinson says. “I knew, if I tried to have a BS conversation about it, that David would call me out.”
Cronenberg, too, had some reservations — about Pattinson. “Could this British guy do a New York accent where it’s not agonizing?” the filmmaker recalls wondering. “Could he play that age? Does he have the charisma to hold the audience for the whole movie, because he’s literally in every scene? “I did my homework and watched Little Ashes (2008) and Remember Me (2010),” Cronenberg says. “I even watched interviews that Robert did. I wanted to know what this guy was like when he was just being himself. I wanted to get a feel of what he was like as a person. I wanted to know that he had a sense of humor, and he does.
“I finally said, ‘OK, this is the right guy.’ ”Most of Pattinson’s films have required him to forgo his natural British accent, so he had no problem finding Eric’s New York speech patterns.
“I don’t even know what accent I was doing half of the time,” he admits. “I always found that the dialect was written in the lines. The voice was also part of the preparation. I wasn’t even trying to get a New York accent.”
His next film is, of course, the series-ending Twilight Saga: Breaking Dawn — Part 2, due in November. Cosmopolis is nothing like that, which is by design. “I try to do something different from vampire Edward Cullen each time I’m not doing a Twilight film,” Pattinson says. “I even try to make him different each time I do Twilight.”
As a child growing up in London, Pattinson had dreams of stardom, but they involved music. That he ended up as an actor still bemuses him. “When I’m asked to write down my occupation, it’s still hard for me to write actor.”
After auditioning for Troy (2004) but not getting the part, Pattinson was cast in Harry Potter and the Goblet of Fire (2005) as the handsome, charming and doomed Cedric Diggory. Three years later, he began his turn as soulful vampire Edward Cullen. For “Twi-hards” dreading the end of the film franchise, Pattinson offers some words of hope. “I’m sure they’ll have a Twilight TV-series spinoff soon,” he says. “They’ll do it again.” That presumably wouldn’t involve Pattinson. There is talk of a film prequel, however. Would he be willing to play Edward again? “Who knows?” says Pattinson, laughing. “The only thing that creates a little bit of a problem is that I’m supposed to be 17 forever.