I did a round-up of all the Remember Me quote you guys posted in this post here. I also added a few new ones.
Tyler quotes
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“And you’re just so… tragically blind that you think the rest of your children are just gonna hang themselves…”
“It was me and Michael’s place. We used to go there for break fast all the time. Probably not as many times as I think we did, but enough. We went there on the morning… that was the last place I saw him.”
“You have a daughter who sincerely believes that you don’t like her. I mean shes trying to communicate, shes speaking, but why aren’t you listening? I mean, why aren’t you riveted? Why is this not the most important thing for one night!”
“Nineteen? Teens, I can do teens.“
“Did you lie to me? That hurts, I’m wounded.”
“Guess it was just there to tease me”
“You know what day I’m staring at, Michael. By 22, Ghandi had 3 kids; Motzart, 37 symphonies; and Buddy Holly was dead.”
“Michael, Caroline asked me what I would say if I knew you could hear me. I said I do know: I love you. God, I miss you. And I forgive you.”
“So, dessert first in case of asteroids, yes. But kissing a guy you seem at least some what attracted to before riding off into the unknown New York night along side a panda you’ve only just met, no?”
“What ever you do in life will be insignificant, but it’s very important that you do it. Because nobody else will. Like when some one comes into your life and half of you says you’re nowhere near ready, but the other half says: make her yours forever.”
“You once told me, our fingerprints don’t fade from the lives we touch. Is that true for every body, or is it just poetic bullshit?”
“Michael was 23. All 23-year-olds drink ’cause it’s new and exciting. Aunt Sara drinks ’cause she wishes she was 23.”
“No, we don’t have enough closet space for that.”
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Aidan quotes:
“It must be nice living at the bookstore, by yourself, with all your stacks of books. But, you see, I actually plan on having a career, and a wife, and a girlfriend, and a… and a divorce, and a mid-life stalking episode, and an erectile dysfunction.”
“I’ve only seen him look at one other girl like that and she’s alot shorter and shares his DNA”.
“That’s why chicks dig you, man. They love this freaky, poetic crap.”
“I’ve had enough of this brooding introvert shit! I’m ready to set up an intervention.”
“I’ve planted my flag in every continent.”
Ally quotes:
“Your middle name is Keets? God, your parents are pretentious!”
“What if I choke? What if an asteroid come hurling down onto the restaurant?… I’ll tell you what, if you swear on your eternal soul that I’ll make it through my entree, then I’ll wait. But before you answer, consider that if something does happen, you’ll have to live the rest of your life knowing that not only did you lie to me, but you denied of my one last indulgence. Are you prepared to shoulder that kind of responsibility?”
“Huh. So, this is the whole playful ‘you get me all wet’ part, right? It is cheap. I’ve seen this scene a hundred times. You know what never happens in this scene though? Tyler, who doesn’t really go to school? Tyler, who doesn’t care about his job?”[lifts up the pot of spaghetti and dumps it on Tyler]
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Dialogs:
Caroline: [walking on the benches] So are you going to come to the art show?
Tyler: [sitting on his bike] No.
[laughs]
Tyler: Abso-freakin-lutely! Of course I’ll come.
Charles: Could do worse than have a father who bails you out of jail.
Tyler: I don’t wanna be bailed out of anything.
Ally Craig: My dad just doesn’t know what’s going on right now.
Tyler: What’s going on right now?
Charles: She knows I’ll take care of her.That’s all there is, Tyler.
Tyler: ‘That’s all there is?’ Not enough.
Aidan Hall: Come on! Just one drink!
Tyler: When was the last time you had one drink?
Aidan Hall: [thinks] communion.
Ally Craig: I have my dessert first.
Tyler: Is that a political statement? A medical condition, perhaps?
Ally Craig: You go there to write to him?
Tyler: I just wanted to tell someone about you.
Tyler: Did you just say nihilistic?
Aidan Hall: Yeah, alright? I got it off a cereal box.
Ally Craig: You’re the ass-aholic!
Aidan Hall: Yeah, well… I dunno about – Wait, what?
Aidan Hall: That sale inspired our newest business venture. The S.L.U.T. It’s a Single Lady’s Universal Tote. It’s a one-night-stand travel pack for women. You know? We throw in make-up and toiletries a cell phone charger, cab numbers… We retail it for $19.95. Maybe we’d do an infomercial.
Tyler: Do you think women will buy this, with actual money?
Aidan Hall: Okay. Yeah. You know what? Fine. Be cynical. But think about it, at one point in history, two people had a conversation, a lot like this one about the lightbulb. One went on to fame and fortune, the other probably went to work at Mickey D’s or something.
Some of these quotes came from the Remember IMDB page.
From Water for Elephants Film:
First, thanks so much for the chance to share the experience! Very flattering; that meant a lot!
To say working on the movie was awesome would be a great understatement. There was so much stuff to see and experience, this won’t do any justice to it, but I’ll talk briefly about some of the highlights!
I was cast as one of the core roustabouts, and was thrown into one of the most eclectic and wonderful groups I’ve ever met. From day one of training in Piru, to the last day when we got to do some fun photoshoots, it was quite an adventure.
In addition to the on-set camaraderie we all developed, it was incredible getting to watch most of the shots; whenever I wasn’t being used, I often watched the monitors to see exactly what you’ll all be seeing on the big screen. Between Director Francis Lawrence and Director of Photography Rodrigo Prieto, the shots were nothing short of gorgeous every time. My favorite is a bit of a montage of the rousties setting up the circus, with a lot of rubes watching in the fields as the roustabouts hammer tent stakes into the ground (an epic shot). With the sunset (called ‘magic hour’, as there is so little time to film with -just- the right amount of natural light), and pollen blowing in the air; it’s just breathtaking.
As for the stars, it was awesome getting to see them work.
I was greatly impressed with Rob on two counts; one, he can switch accents between takes so fast! He’d talk in his British dialect while not working, and go right back into his American, and you’d never know he was acting it. He also was great with taking stunt falls. I watched as he was thrown off a train platform in a fight scene a good dozen-plus times, some of which he landed square on his back. But he took it and just rolled with it. Great stuff.
I was most excited to get a chance to see Christoph strut his stuff, and hopefully absorb some of his Oscar winning aura. He couldn’t be more humble either. One day, my friend and I were getting food during a break, and we were near the front of a long line inside the crafty tent (crafty is the term used for where the food is). Christoph came in and just got at the back of the line behind all of the extras. As with most sets, it’s expected that extras let cast and crew go first in food lines as they have the least amount of free time to eat; my friend and I offered to exchange spots with him, and he just waved us off with a smile and said, “no, thank you, please, eat.” I love it when stars are nice, and I will always remember that when I’m the star, talking with an extra on the set of one of my movies someday.
A quick note about Queenie; the dog was so incredibly well trained and cute! So fun to watch him and Mark (Kinko) work together.
One of the last days of shooting was some of the stampede scene, and I got to run next to a llama. That was interesting. He just kept staring at me the whole way wondering what the hell he’d gotten into as dozens and dozens of people were screaming and running. 
It was also fun running into some of the wardrobe crew from The Social Network! I had worked on that for a few months helping out as second team, and landed my first line as well! In that time, I got to know a lot of the people on set fairly well, and they couldn’t be nicer, so it was awesome seeing them again. And wait ‘til you see what the wardrobe team put together for this movie; everyone looks fantastic!
The crew couldn’t be nicer either. Some sets can have such a negative energy going around, and everyone is always stressed out and yelling. But here, for the most part, everything was pretty easy going. Everyone was on their A-game and wanted to make sure everything ran smoothly and safely.
And I can’t finish without mentioning the biggest star (literally and figuratively) of the movie – Tai the elephant, who plays Rosie. What an incredible animal. So intelligent. She knows so many commands and is so friendly. She’d often lovingly tap Rob or Resse’s head with her trunk before they started working for the day.
What’s hilarious is knowing what went on during filming, and what you’ll see on the big screen. For example, there is a scene where Christoph’s character beats Rosie mercilessly. On screen, it’s going to look so very dramatic and painful. Meanwhile, I’ll be picturing the trainer off screen saying “Tai move forward. Tai move back. Tai open your mouth” between Christoph’s lines. She’s completely safe and happy, and on screen it will look vicious and horrible. The magic of Hollywood. Love it!
This brief message doesn’t do it justice at all, but it was an incredible experience! Good friends, good times, an amazing cast and crew… I know all of you are going to be thrilled come next April!
Is collage inherently subversive? This strenuously lively group show, organized by Paper magazine’s Carlo McCormick, suggests so.
The mischievous tone is set by Mark Flood’s “Twilight Feelings” (2010), a distorted, mosaic-style portrait of the vampire-franchise heartthrob Robert Pattinson. Using multiple copies of the same photograph, Mr. Flood gives the actor a giraffelike neck and sharply protruding chin.
[New York Times] Via
Thinking of Rob 