Here are two videos of Rob arriving at the press conference and taking his time to sign for fans:
This one is a coverage from ZDF which seems familiar to me:
Here are two videos of Rob arriving at the press conference and taking his time to sign for fans:
This one is a coverage from ZDF which seems familiar to me:
Here’s the weekly round-up of pics and quotes of the day that we post on our Tumblr.
–
From Radio Times
It’s pretty daring to take Robert Pattinson, the most fanciable young actor of his generation, and cast him alongside actresses of the calibre of Kristin Scott Thomas, Uma Thurman and Christina Ricci. But it’s a risk that pays off here as his performance takes this retelling of Guy de Maupassant’s tale of sex and ambition to another level. As thrilling as it is sumptuous, the first feature from theatre directors Declan Donnellan and Nick Ormerod brings Paris at the turn of the 20th century to vibrant life, as handsome, brutish social climber Georges Duroy (Pattinson) plunders and blunders his way around the women of powerful men. The stunning production design frames Duroy’s amorality as it unfolds like a rotten flower, and Pattinson has never looked more irresistible or dangerous. Thurman, especially, is a revelation – literally finding a new quality to her voice as the influential and wealthy Madeleine Forestier. A hauntingly beautiful triumph of content over style, this isDangerous Liaisons meets Cruel Intentions with extra added credibility.
Video from FanRobstenRus:
The Polish Bel Ami release date is set for May 25th, confirmed by Monolith Films – Polish distributor
Vodpod videos no longer available.
From NME
Christina Ricci praises her Bel Ami co-star Robert Pattinson in a new video interview which you can watch above.
The actress plays Clotilde de Marelle in the erotic political thriller, which is released in the UK today (March 9). Her character falls under the spell of Pattinson’s amoral and ambitious Georges Duroy.
Speaking about the role, Ricci said: “What I thought was great about playing this character was it gave me an opportunity to play somebody who we as an audience can see her experience pain and heartbreak for the first time. She’s someone for who everything’s always been great and she’s just always had fun in her life, and that to me was very interesting.”
She went on to pay tribute to Pattinson, saying, “He’s such a good actor and he comes to work prepared and focussed. He has the perfect amount of intensity for this part, but of anything was ever awkward or uncomfortable, we were able to make fun of ourselves and each other. ‘This is going to be a comfortable day, glad to see we’re both in our underwear!’”
Speaking about the 19th century Paris-set film’s appeal, Ricci added: “It’s a really interesting movie, and it’s a thought-provoking film. There are some great performances in it and it’s beautiful. I know that this is a different take on the sort of normal romantic period piece, but I think that’s what makes it interesting and really alluring.”
Bel Ami co-stars Uma Thurman and Kristin Scott-Thomas.
In fact, Almaric — best-known to American audiences through his roles in “Munich, “Le Scaphandre et le Papillion” (“The Diving Bell and the Butterfly”), and “Quantum of Solace,” has been a director longer than he’s been an actor. As a teenager, he took a job as a trainee AD on Louis Malle’s “Au Revoir les Enfants” and he won Best Director at Cannes in 2010 for “Tournee.” He has also worked with some of France’s best directors, of course — among them Arnaud Desplechin and Alain Resnais — and he’ll next be seen in David Cronenberg’s forthcoming “Cosmopolis,” playing a “pastry assassin” who creams Robert Pattinson in the face as part of his mission to sabotage power and wealth worldwide. Almaric sat down with The Playlist to talk about his philosophies on- and off-screen, and why he feels an actor is “nothing.”
As the pastry assassin, you get to throw a pie in Robert Pattinson’s face and then give a six-page monologue.
Cronenberg is very close to the book. And Rob is a great guy. Yeah, yeah — it’s a tough scene. I had to speak in English, and Cronenberg shot it in one sequence, where you do the whole scene in one shot. It was very physical, and I spoke so much. And you’re afraid, because it’s Cronenberg! [Laughs] But you manage to learn your lines, and I’m always surprised when I manage to be able to say the words in complete order, you know? I don’t know how it’s possible. But I think it’s going to be an amazing film, especially because he shot it in order, exactly as it happens in the book, about a man who gets broken.