Google Translate:
After his escape to Cannes, where he climbed the famous steps, Robert Pattinson spoke toTélépro.
We met the young 28 year old British actor on the occasion of the release of “The Rover” (the movie will be released in France and Belgium this Wednesday, June 4)
Google Translate for now:
On a terrace at the windswept the Palais des Festivals, a man with his head tucked into his shoulders, pulls on his cigarette. A bodyguard stands a few meters from him. The anonymous smoker is Robert Pattinson. With two films in the official selection, Maps To The Stars, by David Cronenberg, and The Rover, by David Michôd, the actor was one of the attractions in Cannes. When you arrive at our rendezvous on the Croisette, he was not very fresh. The day before he was closing the Silencio, the Parisian club relocated during the festival . He woke up ten minutes before appointments with the press.
Starts at 8:55 – Rob’s interview at 10:00
It’s dubbed, but you can hear him. 1st question – he talks about the world situation in The Rover. 2nd question – he talks about working with great directors. “After Cosmopolis I realized that if you just work with great directors, you’ll never be disappointed”
Translation:
Didier: Watching the film I remembered something I had read somewhere saying the apocalypse is when human beings are losing their humanity. Do you think the film is speaking about that?
Rob: Yeah I mean. I guess it’s also … I was thinking a little bit about hope. People have lost the sense of hope with each character and I think it’s where they are living, if the world is devastated just like that. Either it’s economically speaking or extracted inside the world. There’s nowhere to go for people. We’re watching them and we’re wondering how we can live without hope. Is there a reason to live? And I don’t know if the film is telling about that but it’s rather flexible how you can interpret it
Didier: I like what you are doing with your career after Twilight. I know you love cinema, we already talked about that. When you choose a project like this one or a Cronenberg, is it a way to put your love for the cinema in your work?
Rob: Yeah I mean, basically after Cosmopolis I realized that if you only work with great directors, you’ll be never disappointed. No matter what the result is, it’s always an amazing experience.
Source | Via | translation
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