Here are some great photo’s taken during the Vanity Fair and Armani party on May 17th (here with Liam Hemsworth and Gael Garcia Bernal):
Here are some great photo’s taken during the Vanity Fair and Armani party on May 17th (here with Liam Hemsworth and Gael Garcia Bernal):

MAY 18TH
The Rover – Photocall
We expect that ‘The Rover’ photocall tomorrow will be around 11:30AM CET – 12:00PMCET (5:30AM ET – 6AM ET). (Today, The Salvation, another Cannes’ Midnight Screenings like The Rover, had it’s photocall around 11:30AM CET (5:30AM ET), so we expect the same time for The Rover. This is not confirmed)‘The Rover – Cannes Premiere
Screening starts at 10:30PM CET (4:30PM ET) and the stars are expected to arrive at the red carpet at 10PM CET (4PM ET)Maps To The Stars’ press screenings at 7PM CET (1PM ET) and 10:30PM CET (4:30PM ET)
MAY 19TH
Maps To The Stars – Photocall:
Photocall starts at 12PM CET (6AM ET)Maps To The Stars – Interview:
Cannes official interview starts at 12:15PM CET (6:15AM ET)Maps To The Stars – Press Conference:
Cannes offical press conference starts at 12:30PM CET (6:30AM ET)Maps To The Stars – Cannes Premiere:
Screening starts at 10:30PM CET (4:30PM ET) and the stars expected to arrive at the red carpet at 10PM CET (4PM ET)
Live Stream
Youtube (Canal+): http://www.youtube.com/watch?v=FlPXW8BUnJw
(You can choose English or France).
Dailymotion (Orange): http://www.dailymotion.com/video/x1r18y3
Werner Herzog, Director of ‘Queen of the Desert’, talks vampire movies and mentions Robert Pattinson in his interview with The Playlist.

From The Playlist
Herzog claims that cinema has “a very unique way” of dealing with the vampire myth, and while his high esteem for Kinski’s legacy has barred him from considering most future iterations, a surprising exception is the “Twilight” series of films. His reaction? “Not that bad, I was surprised to find.”
“We have to take it seriously that there are films out there that know how to address a 14 or 15-year-old,” he added. “This is a very special sort of approach and I couldn’t do it, yet these films could. I see that much of it is silly but at the same time I respect these films. And I just worked with one of the actors, Robert Pattinson [in Herzog’s upcoming ‘Queen of the Desert’], and he’s a wonderful, fine actor. He’s clearly stepping out of these roles that make the teenies screech.”
Read the rest of the interview here

Here are some reviews and media reactions from the ‘The Rover’ Press Screening this morning

From Variety
Tipping its hat to George Miller’s “Mad Max” trilogy while striking a more somber, introspective tone, Michod’s sophomore feature isn’t exactly something we’ve never seen before, but it has a desolate beauty all its own, and a career-redefining performance by Robert Pattinson that reveals untold depths of sensitivity and feeling in the erstwhile “Twilight” star. A commercial challenge due to its mix of explicit violence, measured pacing and narrative abstractions, the pic should earn the warm embrace of discerning genre fans and further establish Michod as one of the most gifted young directors around. Pearce is fiercely impressive here as a man who gave up on the human race even before the latest round of calamities, and if there are occasional glimpses of the kinder, gentler man he might once have been, we are more frequently privy to his savage survival instincts. But it’s Pattinson who turns out to be the film’s greatest surprise, sporting a convincing Southern accent and bringing an understated dignity to a role that might easily have been milked for cheap sentimental effects. With his slurry drawl and wide-eyed, lap-dog stare, Rey initially suggests a latter-day Lennie Small, but he isn’t so much developmentally disabled as socially regressed — an overprotected mama’s boy suddenly cast to the wolves — and Pattinson never forces or overdoes anything, building up an empathy for the character that’s entirely earned. He becomes an oasis of humanity in this stark, forsaken land.
“Red-hot Australian director David Michod garnered universal acclaim for debut Animal Kingdom. The director returns with thriller The Rover starring Guy Pearce and Robert Pattinson in the story of a loner who tracks the gang that stole his car from a desolate town in the Australian outback with the forced assistance of a wounded man left behind in the wake of the theft. FilmNation handles international sales.
How concerned were you about casting Robert Pattinson – an actor best known as the face of a teen franchise – in one of the two lead roles? Did his performance surprise you?
I loved the idea of it. I knew, even from my first meeting with him, before I even knew that The Rover was going to be my next film, that Rob had something far more interesting to offer than his work to date would suggest. And the prospect of giving a very recognizable performer the opportunity to do something right outside the parameters of people’s general expectations is exciting.
Rob didn’t exactly surprise me because I knew he could do what I was asking him to do – he’s a great actor and I wouldn’t have cast him otherwise. I’m pretty sure, however, that everyone else is going to be surprised by his performance because it’s about as far away from everything he’s done before as you can get.
Here’s a really great article by LA Times – ‘The Rover,’ shot in the scorching outback, chills the heart and soul

Film directors fretting on the set is nothing new, but David Michod, whose “The Rover” will debut at the Festival du Cannes on Saturday, had a concern that was considerably out of the ordinary: “I worried,” he says, “that the actors would die.”
Michod’s first feature since 2010’s knockout “Animal Kingdom,” “The Rover” stars Guy Pearce and Robert Pattinson and was filmed in the South Australian outback, where temperatures in the hottest time of the year are literally inhumane.
“We had a technical scout the week before we started shooting and it felt dangerous, the temperature was 50 degrees Celsius, which is 122 degrees Fahrenheit,” the director recalled while in the cool interior of a posh hotel bar.
“You couldn’t work in that kind of heat, if you stood outside for more than 20 minutes you could start to die. … The producers [and I] had a short conversation about that, it was short because we didn’t want to contemplate that possibility. Fortunately, the temperature during shooting went down to 40 to 45 degrees Celsius [104-113 Fahrenheit.] That sits within the spectrum suitable for human life.”
In an article from Deadline about the Cannes Film Market, ‘Queen of the Desert’ and ‘Life’ are listed as two of the movies that have the most buzz in the market

QUEEN OF THE DESERT – Director, Writer: Werner Herzog, Cast: James Franco, Robert Pattinson, Nicole Kidman, Damian Lewis. Kidman plays Gertrude Bell, the Lawrence of Arabia of female diplomats and political attaché for the British Empire at the dawn of the 20th century. Sales: Sierra Affinity, CAA, Cassian Elwes.
LIFE – Director: Anton Corbijn. Cast: Robert Pattinson, Dane DeHaan, Ben Kingsley, Joel Edgerton. A photographer for Life Magazine is assigned to shoot pictures of James Dean. Sales: CAA / WME / FilmNation. Based on 15 minutes of footage, this one’s in play and is gonna sell.
Sandy George from SBS Movies sent some questions to David and his responses are as follows:

“Every filmmaker dreams of getting a film into Cannes. Why do you think The Rover did?
Hopefully, it feels like a film they haven’t seen before – it’s tense and unusual – and because the central performances from Guy and Rob are really extraordinary.
You have said that the film is “not a post-apocalyptic film”, that “this is an Australia that has broken down into a kind of resource-rich Third World country.” Can you expand on that?
I didn’t want the world of the movie to feel like we’d been reduced to psychotic apes because of a single cataclysmic event. Rather, I wanted it to feel like the entirely plausible and frighteningly possible result of the world we live in today: economic and environmental collapse, as a product of rampant greed and exploitation, reduce Australia to a dangerous resource-rich third world country. Infrastructure, products, and an economy of sorts still exist – they’re just broken, fragile and the world of the movie as a consequence is dangerous and unpredictable.
For the many people who know and love Animal Kingdom, what would you say to them about how the film is most different from or influenced by or still shows the David Michôd touch.
I think it will feel like it was made by the same guy who made Animal Kingdom. The Rover is much leaner in narrative and more epic in landscape but, like Animal Kingdom, it’s still about the sadness and menace of people trying to make sense of a world that doesn’t make any sense.”

Read the rest of Sandy’s interaction with David at SBS.
Thank you all for participating in our Rob – Birthday Donate and Win contest!
We’ve just drawn a winner from all the entries we’ve got and we’re happy to announce that Verena/Roberta is the winner of the two magazines!
CONGRATS! The magazines will be sent to you as soon as possible!
Here’s a new BTS picture of Robert Pattinson, Guy Pearce and David Michôd on the set of ‘The Rover’

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